19 January 2018

The Curious Quadrupedal Company

For some weeks during the winter of 1852-1853, the locals in Hanley and Longton in the Potteries were treated to a number of visits from a Frenchman, Monsieur Desarais (or Desaris), with his troop of highly trained dogs and monkeys. His was one of many such travelling shows that trod the boards of the town halls or theatres up and down the country during the mid-nineteenth century. Often these shows were unsophisticated by modern tastes, but in an age where opportunities for popular entertainment were scarce, even the feeblest efforts were appreciated.

Monsieur Desarais’ show seems to have been better than most if reports of the time are anything to go by. In one short piece a reporter described exactly the performance he witnessed. After noting his astonishment at the animals’ performances and the skill of Monsieur Desarais as an animal trainer, the reporter continued.

This curious quadrupedal company, educated to a high pitch of perfection in the histrionic arts, and costumed to suit their respective characters successfully perform many of the conventionalities of daily domestic life. The supper scene, or monkey banquet, served by a monkey gentleman-in-waiting, a brother monkey the presiding genius of the table, with all the precision of fashionable conviviality, speech excepted. This was a rare treat in itself. A variety of curious evolutions followed, the dogs and monkeys habited as ladies and gentlemen waltzing to music, playing at leap-frog. A dog ascending and descending a double-ladder, with a monkey clinging to his back; one poor fellow industriously performed the rare treat of trundling a barrel up an inclined plane, wagging his tail to his master, apparently highly pleased at his success. The balancing tricks, by two dogs; and the performance of a solo by a “Jenny Lind” of the canine species, to an accompaniment on the violin followed by a hurdle race, in which the dogs were steeds and the monkeys, in full costume, were riders, caused roars of merriment.’

Overall, Monsieur Desarais’ sojourn in the Potteries was a great success, except, that is, for one unfortunate little incident in Shelton on Christmas Eve 1852. This was reported by the same paper, but far more glibly under the title, ‘Novel Mode of Evading Toll’.

The report described how Monsieur Desarais was passing through the Shelton toll gate in his small close carriage, drawn by four of his favourite dogs, when Mr Dixon, the gatekeeper came out of his house and demanded the toll. Monsieur Desarais refused to pay and a heated discussion ensued as to why the toll was necessary. Becoming angry and seeing that he was getting nowhere with the irate Frenchman, Mr Dixon seized some of Monsieur Desarais’ property in lieu of the toll, but this only made matters worse. Monsieur Desarais seeing his property confiscated in such an unceremonious manner yelled, “Then I’ll pay” and opened his carriage door as if to get the cash. No sooner was the door open than out leapt a large formidable-looking monkey, who as if instinctively protecting his master looked as if he were about to attack Mr Dixon. At that moment, though, the gatekeeper’s wife who had been keeping her eye on the altercation rushed out carrying a pistol. The sight of the gun so alarmed the monkey that he threw his tail around his owner’s neck and with a ferocious grin of horror shot back into the carriage. Whether the monkey’s actions had been choreographed by Monsieur Desarais we will never know, but he did not escape the toll keeper, for as the report concluded, ‘Monsieur, with his dogs and monkeys, left the toll-gate keeper to his reflections and his umbrella as a pledge.’

Reference: Staffordshire Potteries Telegraph, 1 January 1853