A Swedish Spy in the Valley of Crockery

A portrait of R. R. Angerstein in 1755.
Source: Wikimedia Commons

A visitor to the mid-18th century Potteries was Reinhold Rücker Angerstein, an industrial spy in the employ of the Swedish government, who was tasked with gathering information on new or emerging technology. Between 1753 and 1755, he journeyed through England and Wales and produced a wide-ranging and comprehensive survey of the various industries and their practices. He appears to have visited the Staffordshire Potteries, which he labels rather colourfully as a ‘Valley of Crockery’, in about 1755. Here, after examining the manufacture of salt-glazed wares, describing the kilns in Hanley (including illustrations), the raw materials used, the prices of ware and various mechanisms employed in producing pottery (with still more pictures), he went on to add a few descriptions of the area that make for interesting reading.

He notes that in Hanley there were 430 makers of white ware and other types of pottery, adding ‘The kilns are everywhere in this district.’ and to prove his point he includes an illustration of the skyline of the town. There were also large numbers of potteries in Stoke and other places, ‘where mostly the same kind of ware as that enumerated is made and also some simpler crockery.’ He then adds a picturesque and slightly comical tale. ‘When as it sometimes happens, many kilns are glazing with salt at the same time, there is such a thick smoke of salt in these towns, that people in the streets cannot see 6 feet ahead, which, however does not cause any difficulties. On the contrary, the smoke is considered so healthy that people who are ill come here from far away to breathe it.’

Of the pottery itself, he writes, ‘The crockery produced is mainly sent to London or other sea ports, from which much of it is exported to America and many other foreign countries.’

R. R. Angerstein’s Illustrated Travel Diary 1753-1755, pp. 340-342.

See a Fine Lady upon a White Horse

Between 1697 and 1702, partly from a wish to improve her health and from an equally strong desire to see more of her native land, Lady Celia Fiennes (whom some claim was the fine lady at Banbury Cross from the children's nursery rhyme) undertook a series of journeys around England. In the summer of 1698, her peregrinations brought her into North Staffordshire. Here, after admiring the as yet unsullied landscape, she was keen to visit the Elers Brothers' factory at Bradwell, but as she notes in her diary she was unsuccessful; the potters had temporarily run out of clay and were not working.

'..and then to Trentum, and passed by a great house of Mr Leveson Gore, and went on the side of a high hill below which the River Trent ran and turn’d its silver stream forward and backward into s’s which Looked very pleasant Circling about ye fine meadows in their flourishing tyme bedecked with hay almost Ripe and flowers. 6 mile more to NewCastle under Line.'

After ruminating briefly on the 'coals to Newcastle' adage, she continued. 

'… I went to this NewCastle in Staffordshire to see the makeing of ye fine tea potts. Cups and saucers of ye fine red Earth in imitation and as Curious as yt wch Comes from China, but was defeated in my design, they. Comeing to an End of their Clay they made use of for yt sort of ware, and therefore was remov’d to some other place where they were not settled at their work so Could not see it;'

Reference: Celia Fiennes, Through England On a Side Saddle in the Time of William and Mary, pp.146-147.

A Crime of Passion

Brownhills Hall, from an engraving made some years later.
Source: John Ward, The Borough of Stoke-Upon Trent (1848)

In 1796 whilst visiting Brownhills Hall, near Burslem, the home of wealthy pottery manufacturer John Wood and his family, a young apothecary named Thomas Millward Oliver, became enamoured of the Wood's teenage daughter Maria, a noted local beauty, who returned his affections. Oliver came of a respectable Stourbridge family and as a well educated, popular and respected medical man locally, he would seem to have been the perfect suitor for Maria Wood. Certainly Oliver himself believed this and he thought at first that Mr Wood actively encouraged him in his courtship of the young woman. In this, though Oliver was wrong and when John Wood learned of the affair he quickly put a stop to Oliver’s visits, professional or otherwise, and had forbidden the young couple to meet. This threw Thomas Oliver into a fit of lovelorn despair that festered for some time before coming to a head early the next year in the most dramatic fashion.

At 8 am on 27 January 1797, Oliver arrived unannounced at Brownhills Hall and asked to see John Wood. Mr Wood was in bed, but on hearing of his visitor and thinking that the apothecary had come to present his final bill, he went to his Compting House behind the hall and asked his foreman William Bathwell to bring Oliver down to see him. Bathwell went, but returned without Oliver who had sent word that he would wait for Mr Wood in the parlour. So, along with his foreman, a slightly puzzled Mr Wood returned to the hall to see what his visitor wanted. Here the two men greeted each other coolly but politely and as expected Oliver presented his bill, but hardly had he done so than he drew two pistols that he had recently borrowed from a neighbour and pointed one at Mr Wood, asking him to take it. Mr Wood refused and Oliver lowered the gun for a moment, but then brought it up again and fired directly at Wood who was struck in the right breast. Oliver then raised the second pistol, perhaps to shoot himself, but Bathwell threw himself on the man and knocked the gun from his hand. Others in the house alerted by the noise soon rushed into the room to help the struggling foreman and tend to the injured man. The wounded Mr Wood was then quickly carried upstairs to his bed and a doctor was called for, while Oliver, now aghast at what he had done, was handed over to the local constables.

John Wood had been mortally wounded and died three days later, being buried in Burslem on 2 February 1797; he was only 50 years old. Oliver meanwhile was left languishing in Stafford Gaol until the Summer assizes that year. Here on a sweltering day in August he was put on trial on a charge of murder and though many witnesses came forward to speak of his gentle nature and good deeds, or argued that the act took place due to temporary insanity, the evidence against him was overwhelming and Thomas Oliver was quickly sentenced to death. 

During his time in prison, Oliver is said to have impressed everyone, prisoners and gaolers alike, with his courteous behaviour and his obedience of the rules. All were struck by the calm and dignified manner in which he accepted his fate and in which he finally met his end. On Monday 28 August 1797, he displayed this same calm manner as he mounted the scaffold above the prison gatehouse, bowing to the large crowd that had gathered below to watch. Moments later the noose was placed around his neck and the trap door opened. Apothecary Thomas Millward Oliver, aged just 28, died without a murmur. 

Reference: Trial of T. Milward Oliver at Stafford Summer Assizes, 1797

Vinegar and Vanity

Some of the unusual and dangerous practices indulged in by teenage girls to make themselves look attractive, were highlighted in 1901 in the tragic case of 15 year old Florence Henrietta Burton of Longton, who met an untimely end in the pursuit of beauty.

Florence was the youngest of four children born in late 1885 to coal miner Samuel Burton and his wife Harriet. Her father had died a few years after Florence’s birth and her mother had remarried, though by 1901, she was again a widow living at 3 Adam Place, Longton with her 18 year old son John Thomas Burton a potter’s presser, Florence who was a potter’s gilder, and an elderly boarder. The census was the last official document to record Florence alive, as the final act of a bizarre drama was playing out in the Burton family home.

For some time her mother Harriet had been getting increasingly worried about Florence, who had started drinking large amounts of vinegar and eating lemons. She had spoken to her daughter about it, but to no avail, the girl would scarcely eat anything without pickles or something else acidic. Florence’s friend Julia Brain later revealed that she knew that Florence had obtained large quantities of lemons from a local fruit shop ‘on trust’ and said that she had also seen her pour out a glass of vinegar, pour salt into it and drink it. When quizzed as to the reason for this Julia said it was to try and make her complexion ‘pale and nice’ giving her skin a translucent quality to make her more attractive; but in truth Florence’s beauty regime was gradually killing her. The end came suddenly in June 1901 when Florence was at work and suffered chest pains that made her so ill that she had to go back home. Once there she reportedly suffered a fit and died shortly afterwards.

As a result of her sudden death, a post-mortem was carried out by a Dr Howells, who reported to the inquest into the girl’s death that Florence had died due to heart disease caused by her unusual diet. Her practice of consuming large amounts of vinegar, salt and lemons would, he said, ‘disorganise the whole system, upset digestion and cause the person to be half-starved, though well and apparently well nourished.’

The Coroner, clearly flabbergasted by what he had heard, asked the surgeon, “Why do girls do these things?” Dr Howells answered, “To make them pale and interesting-looking. They like to look transparent.” - “And it kills them?” - “It does.” The Coroner commented on the folly of such practices and the jury returned a verdict of ‘Death from Natural Causes.’ 

Reference: Birmingham Mail, 28 June 1901, p.4; Coventry Evening Telegraph 28 June 1901, p.2.)

In Glorious Biocolour

In the early to mid 1920s, a pioneering film maker Claude Friese-Greene and his assistant, drove a car from Land's End to John O'Groats. Using a specially developed process of early colour photography christened 'biocolour', their journey was immortalised in a documentary The Open Road, the purpose of which was to show off the new process. Due to film limitations only a narrow spectrum of blues, greens and reds could be captured by Friese-Greene's method, nevertheless the result was an impressive colourful snapshot of Britain in the 1920s.

To show off his colour photography to its best advantage, Friese-Greene mostly filmed rural scenes, the bucolic imagery of which suited his additive process, but there were occasional forays into industrial areas and one of these was in the Potteries and internal evidence suggests that the visit took place in 1926. After a brief panoramic view of the district from some high vantage point, Friese-Greene then visited the Wedgwood factory at Etruria. Here he found to his delight that he was able to film indoors quite easily due to the large expanse of windows in the workshops. He filmed a thrower at work and paintresses putting finishing touches to the wares. This was followed by a perhaps overlong display of Wedgwood wares from vibrant lustres to the more subdued colours of the famous Portland vase.

Suffice to say, though ingenious, Friese-Greene's technique never took off, losing out to the more versatile Technicolor. As a result, his film went into storage and remained unseen for 80 years until it was restored and aired in 2006 in a BBC documentary entitled The Lost World of Friese-Greene.

Anarchy in Etruria

In early March 1783, the local economy was in decline and people were going hungry. A poor harvest the year before plus the knock-on economic effects of the American Revolutionary War had caused food to become scarce and prices to rise sharply and a number of food riots broke out in Newcastle and the Potteries as a result. The most serious of these took place around the canal at Etruria and may well have been started by some of Josiah Wedgwood's workers.

A view of Wedgwood's Etruria works from across the canal.
From The Life of Josiah Wedgwood (1865) by Eliza Meteyard.

There had been some trouble in Newcastle for several days and the rioters there seem to have joined or inspired the riot that broke out at Etruria on Friday 7th March. The trouble started when a barge carrying much-needed supplies of cheese and flour moored up at Etruria where the food was to be off-loaded before being distributed around the Potteries. However, at the last moment the barge's owners decided to send the boat on to Manchester. Within a short time of this decision shop owners in Hanley and Shelton heard the news and they in turn informed their angry customers. They had probably heard about the barge's departure from some of Wedgwood's own workers, certainly that suspicion was voiced in a letter written by Josiah Wedgwood junior, son of the famous potter. Later that same day Josiah junior wrote to his father - who was then in London on business - describing how when the news spread about the departing barge, several hundred men women and children had quickly gathered and chased after it along the canal, finally catching up with it at Longport. Believing that the boat had been sent away to increase the scarcity of provisions and thus up the prices even more, the crowd were in a black mood and not to be trifled with, so when they found that the bargee would not pull the boat over one of the crowd leapt aboard to tackle him. The boatman immediately cut the tow rope and slashed at the man with his knife and voices from the crowd on the towpath called out “Put him in the canal.” A ducking may well have been the man's fate had not another bargee come to his rescue and he had been able to escape onto another craft, albeit leaving his own barge in the hands of the mob as he did so.

The captured boat was then hauled it back to Etruria in triumph and by late afternoon was tied up alongside Wedgwood's Etruria works where the crowd unloaded the cargo into the factory's crate shop. Most of the rioters then went home meaning to return the next day for distribution of the goods. In the meantime a few men were set as guards. At about 7.30 that evening four of these sauntered up to Etruria Hall and asked for something to eat and drink while they were on watch. Another of the Wedgwood children, Josiah's older brother, 17 year old John went to them and stood talking with them for a time then too did their mother Sarah Wedgwood who also spoke with them for a while before the men went off. The nervousness of the Wedgwood household at this point is, evident in young Josiah's hasty missive to his father, but the family were not bothered any further that evening and at breakfast the next day things were still quiet.

A considered account of what happened next is difficult to come by, certainly none seem to have been carried by newspapers of the time. However, two anonymous letters were circulated by the press which – though they vary in details – give a rough idea of how events unfolded thereafter.

On the Saturday morning the crowd gathered back at the canal side and some of the goods seized the day before were sold off at what were considered by the crowd to be more reasonable prices. One of the letters states that this was at two-thirds the normal price, while sometimes the goods were given away. The meagre proceeds were then handed over to the disgruntled owners of the captive barge. The authorities meanwhile had taken steps to deal with the rioters. An express message had been sent to Lichfield asking for some companies of the Staffordshire Militia to come to their aid. Closer at hand, though, were a company of the Carmarthen Militia who that day had arrived in Newcastle on their way back to Wales. Due to the troubles in Newcastle itself and now in Etruria, the commanding officer was asked if he could help in dealing with the rioters. He agreed, and the force put itself at the disposal of the local magistrates who now had the job of quelling the disturbances.

Some justices went to meet with the mob still gathered around the captured boat, but the Militia were kept at a distance while the officials tried to settle matters peacefully. Here the letters are at odds with one another, one stating that all efforts to get the mob to disperse, including getting the master potters (whose workers formed the bulk of the mob) to try and influence them, but to no avail, while the other letter states that the magistrates' efforts were a success and that the mob agreed to leave, providing the boat was left where it was. Judging by the fact that several days later the mob was demanding the return of the boat the latter seems the most likely state of affairs, but the details still remain confused.

Nothing of great significance seems to have happened on the Sunday, though some of the local manufacturers and officials held a crisis meeting at Newcastle to discuss how best to calm the situation down and deal with the mob. A subscription was entered into perhaps to placate the rioters, Josiah Wedgwood's son John was present at the meeting and donated £10 to the fund. But after the quiet Sunday, Monday saw a return to the stand-off of previous days as the mob gathered at Etruria once more. This time they were in a far more bullish mood and sent messengers to the magistrates outlining their demands, namely to have the boat delivered back to them and its contents sold there.

After a quiet Sunday, Monday saw a return to the stand-off as the mob gathered once more, this time outside Billington's (probably the premises of Richard Billington, who carted coals for Wedgwood and rented 38 acres of the Etruria estate), where there was a meeting of the master potters and several officials. These included John Wedgwood in his father's stead, Dr Falkener of Lichfield, Mr Ing and Mr John Sneyd of Belmont (a neighbour of the Wedgwoods), who harangued the mob on their bad behaviour and the detrimental effect it would have on the price of corn, as too did John Wedgwood and Major Walter Sneyd of the Staffordshire Militia. The latter was there at the head of a detachment of the Staffordshire Militia, who stood by ready if needed. The masters and officials though still hoped that the rioters would listen to reason and a generous subscription was again raised, John Wedgwood giving £20 this time. The mob, though, did not accept this graciously remarking caustically that the money would not have been provided had they not caused trouble and made the manufacturers sit up and pay attention. They continued calling for the boat to be returned to them and the corn to be sold on fairly. Their demands became so loud and threatening that the Riot Act was read out and the mob was told that if they did not disperse to their homes in an hour's time, that the Militia would be ordered to fire on them. The crowd, though, were defiant, jeering that the militia men dared not fire on them and that if they did then the rioters would attack and destroy Keele Hall, the ancestral home of the Sneyd family of Major Sneyd was the current heir. According to some accounts the rioters also put their women and children at the front confident that the soldiers could not fire on them.

Despite this, after the hour had passed, the chief magistrate Dr Falkener was apparently on the verge of ordering the nervous militiamen to fire, when two of the rioters accidently fell down and made him pause and consider his actions. One of the Sneyds, huzzaring as he did so, got about 30 of the men to follow him, intending perhaps to charge the mob, but his effort was thwarted by women in the crowd who called out, “Nay, nay, that wunna do, that wunna do.” and embarrassed by the mocking cries the militiamen baulked, turned back and left the crowd alone. Unable or unwilling to take firm action, the officials agreed that the corn taken in the boat should be sold on at a fair price. And for now that was that and the crowd had their way. The magistrates, though, were now determined to make the leaders of the riot pay for the trouble they had caused and to bring the disturbances to an end once and for all.

Two of the ringleaders of the mob had been quickly identified as Stephen Barlow and Joseph Boulton. According to report, Barlow was born in Hanley Green, was aged about 38 and seems to have had a chequered history prior to the riots, having apparently served in the Staffordshire Militia, but had been drummed out for bad behaviour. He may also have had previous with the law as records show that four years earlier at the Epiphany Assizes at Stafford of 1779, one Stephen Barlow was in court for some unspecified crime he had committed in Penkridge. At some point he had married and by 1783 was the father of four small children and was living in Etruria. The authorities certainly knew where to look for him and that night after the riot, magistrates and constables converged on his house. On hearing the men at the door, Barlow quit his bed naked and attempted to escape by climbing up the chimney. He probably would have got away except that in his haste he dislodged some bricks and when his pursuers came out to see what was happening they caught sight of him hiding on the roof behind the chimney stack. When he was brought down, Barlow refused to get dressed and though it was a cold night suffered himself to be transported stark naked all the way from Etruria to Newcastle. After subsequently being taken to Stafford Gaol, Stephen Barlow was held there until his trial.

So too was Joseph Boulton, but he remains a shadowy figure in this drama as nothing seems to be known of his background. Beyond noting that two ringleaders had been captured at home that night and sent to Stafford gaol, his name was not mentioned in contemporary newspapers, though John Wedgwood who was at Stafford to witness the trial wrote to his father in London and noted that the man had been acquitted by the court. Stephen Barlow, on the other hand was not so lucky. The judge in summing up at the trial on 15^th March, detailed Barlow's offence and laid out the law regarding riots in the clear and clinical manner of the Riot Act. “That all persons to the number of twelve or more, who remain in any place in a tumultuous manner after proclamation has been made for the space of one hour, subject themselves to an indictment for capital felony. “ In other words, the death sentence.

The message this sent out was clear, namely those hundreds who had assembled and been involved in the rioting on 10^th March, most of whom had since either fled the area or had thus far escaped detection, were just as guilty as Barlow and could expect the same treatment if caught and convicted. Barlow meanwhile was sentenced to death without a quibble and on Monday 17^th March 1783, exactly a week after the riot, at Sandyford near Stafford, he was escorted to the gallows by a body of militia and there he was hung by the neck until he was dead. His body was then returned to the Potteries and buried locally two days later.

It had been a startlingly quick chain of events which did indeed have the desired effect quelling any further disturbances, but it perhaps shocked many law-abiding citizens too, disturbed by such arbitrary use of the law. Looking back from over half a century later even local historian John Ward - who as a solicitor had very little sympathy with rioters – seems to have been taken aback by this blatant show trial. Writing about Stephen Barlow, he noted that he 'became a victim rather to the public safety, than to the heinousness of his crime.' According to some accounts Barlow was not the only victim, as more than one paper reported briefly that following the execution, Barlow's wife hung herself in despair.

Josiah Wedgwood though was not so understanding. The danger the riot had presented to his family, estate and pot bank had shaken him and being a noted disciplinarian where his own workforce was concerned, the likelihood that many of them had been involved in the troubles doubtless rankled. On returning to the Potteries and hearing in detail what had gone on, Wedgwood felt compelled to put pen to paper and produced a short tract entitled An Address to the Young Inhabitants of the Pottery in which he hoped to quell any future disturbances by attempting to explain the wrong-headedness of the rioters and to examine and dismiss their supposed grievances. Though couched as a well-meaning sermon to soothe young minds, the piece arguably comes across as being rather sanctimonious given the recent circumstances; the musings of a rich man offering up self-serving arguments to poor people who simply wanted food.

Reference: John Ward, The Borough of Stoke-Upon-Trent, pp. 445-446; Ann Finer and George Savage (Eds.), The Selected Letters of Josiah Wedgwood p.268: Correspondence of Josiah Wedgwood, Vol. 3, pp. 8-9; Derby Mercury, Thursday 13 March 1783, p.3; Cumberland Pacquet and Ware's Whitehaven Advertiser, Tuesday 25 March 1783, p.3; Manchester Mercury, Tuesday 25 March 1783, p.1; Kentish Gazette, Saturday 29 March 1783, p.3; Northampton Mercury, Monday 24 March 1783, p.3; Stamford Mercury, Thursday 27 March 1783, p.2; Ipswich Journal, Saturday 22 March 1783, p.1; Hereford Journal, Thursday 3 April 1783, p.3.

Elizabeth Smith and the Mason Connection

In the early 2000s I was contacted by Ernie Luck a collector and researcher of Mason's pottery who had been looking into a vague connection he had heard of existing between Captain E. J. Smith of the Titanic and the Mason and Spode pottery dynasties, a link he had gone on to substantiate. As well as providing me with much other information that helped me in my own research, Ernie subsequently sent me the following article detailing the Smith-Mason connection which he had written for the Mason Collector's Club newsletter in 2003 and he has kindly allowed me to reproduce it here in full.

Elizabeth Smith (1855-1942) was the eldest of nine children born to Captain Smith's uncle George and his wife Thirza nee Leigh, and though her own story is nowhere near as glamourous as that of her famous cousin it is nevertheless an interesting piece of local history showing the connections - though often distant and accidental - that could build up between disparate families in such a self-contained region as the Staffordshire Potteries once were.

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Charles Spode Mason and his Descendants

by

Ernie Luck

Charles Spode Mason was the only son of Charles James Mason’s marriage to his first wife Sarah Spode. I have been unable to trace a record of his birth or his christening, but a consensus of the age attributed to him on various documents suggests he was born in 1820 or 1821.

Despite the ultimate bankruptcy of the business, his father Charles James was, by and large, a very wealthy and successful business man.  By contrast Charles Spode Mason appeared to have none of these attributes.  This may have been due to his privileged upbringing leading to slothful ways, or maybe Charles James was too busy with the business to ensure his son applied himself to his education; whatever the reason, the evidence, gleaned from a variety of sources suggests that he had neither a successful marriage nor a successful business.

Charles Spode did not get married until 1856 – the year of his father’s death – when he was 35 years old.  He married Elizabeth Leese, a sixteen year old, at St Paul’s Church, Stoke on Trent, on the 21 September.  Their only child, Mark Spode Mason, was born on 11 Feb 1858 at Terrace Buildings, Fenton.  Incidentally, Terrace Buildings Works was one of the lesser known Mason manufactories which, according to Reginald Haggar, was built by Charles James in 1835 and vacated in 1848.

Although Charles Spode was described as a Solicitor on his marriage certificate, the 1861 census return tells a different story because on that document he is described as having ‘No profession or trade’.  But it is the transcript of a letter held in the Haggar Archives which provide a rather damning insight into his professional status.  The letter was written in July 1933 to J. V. Goddard from a Mr J. Beardmore.  He writes ‘Midway between 1860 and 1870, it was intended that I should study law, and I was for a time in the offices of a firm of lawyers, and Mr Charles Mason called several times, a ‘wreck’, the butt, I fear of the clerks who spoke of him as a ‘broken down solicitor’, meaning perhaps ‘not legally qualified’’.  Things must have continued to go down hill for Charles because when he died in 1878 at the age of 57 years, he was a resident of the Stoke upon Trent Workhouse. 

My research of Charles’s son Mark Spode Mason was only accomplished with the assistance of his great-granddaughter Mrs Marjorie Burrett, who lives in East Yorkshire and a distant relative who lives in New Zealand (one of the Quaker Mason’s).  Without their prior research, progress would have been slow, if not impossible.  Although their research was accurate in essentials, the devil lay in the detail and my efforts to put some ‘meat on the bones’ proved to be not as easy as I had anticipated.  With two children born out of wedlock, his propensity to move frequently, and his use of ‘James’ as a first name, trying to find him or the family on the census was a researcher’s nightmare.

Mark married Elizabeth Smith at St Giles Church in Newcastle-under-Lyme on 23 April 1877. Elizabeth’s younger brother and sister, William and Emily were the witnesses.  Elizabeth was connected with another famous person; she was a cousin of Edward Smith, Captain of the ill-fated Titanic.

Left Elizabeth Smith (standing) and her sister Sarah, right Commander E.J. Smith. Elizabeth's marriage to Mark Mason forged a link between the Mason and Spode dynasties and the captain of the Titanic.

Elizabeth had two children before her marriage to Mark and there must be a serious doubt as to whether he was the father of Elizabeth’s first child, Ann, as he was only 16 years of age when she was born. Ann, was born on 28 July 1874 in the Union Workhouse, Chell (near Tunstall) and registered as ‘Ann Smith’ – no fathers name was provided. It looks as if Elizabeth’s family could not afford to provide for her and her child, or perhaps they threw her out because of what then, would have been a shameful event - their daughter having a child out of wedlock. How times have changed. On the 1881 census Ann, recorded as ‘Anne Smith Mason’, was living with her grandparents, George and Thirza Smith in May Bank, Wolstanton.

Elizabeth’s next child, Lydia Mason Smith, was born at May Bank on the 4 March 1877, seven weeks before her marriage to Mark.  On the 1881 census she is staying at Goose Street, Newcastle under Lyme with her grandmother, Elizabeth Mason, widow of Charles Spode Mason.

Mark and Elizabeth’s third child, Florence Coyney Mason, was born on 26 March 1879 at Goose Street, Newcastle.  She was undoubtedly named after Mark’s Aunt, Florence Elizabeth Coyney.

Two years later the family had travelled up to the north east of the country and on the 1881 census, Mark, (now calling himself James), his wife Elizabeth, and two-year old Florence were staying at a lodging house in Northowram, Yorks.  Some of the occupants were described as cutlery grinders which has significance because the occupation on Mark’s death certificate was recorded as ‘scissor grinder’. Why did Mark decide to move away from the Potteries, leaving the two oldest children with the grandparents? Why call himself James?  His Aunt, Elizabeth Spode, left him an inheritance to be paid on his twenty first birthday; was there some connection, or did he leave the area because of debts?  You can but speculate.

Their next child, Elizabeth, was born at 2 Smith Street, Hartlepool, on the 1 September 1884.  Elizabeth was the only child actually registered by Mark.  The name and surname of the father is recorded as ‘James Spence Mason’ on the certificate.  The name of the Registrar was Spence, so this may possible account for the discrepancy in Mark’s middle name.

Mark and Elizabeth’s last child, Charles Spode Mason - obviously named after his grand-father - was born on 25 April 1889 at 121 King Edward Street, Grimsby.  The family had finally settled in Great Grimsby, Lincolnshire; a major fishing area.

‘At noon, on Friday, 20 February 1891, an inquest was held at the Great Coates Railway Station, before the District Coroner (Dr C. B. Moody) inquiring into the circumstances attending the death of James [Mark] Mason, 33 years of age, scissor grinder, late residing at Drakes Buildings, Grimsby.  From the evidence produced it seems the deceased, who had been peculiar in his conduct for two or three days past, was observed walking along the Railway from Grimsby to Great Coates, on Thursday morning week.  After standing somewhat irresolute on the line, he watched the morning express from Grimsby approach and deliberately flung himself in front of the Engine; the guard iron struck him on the head and turned him out of the way, and when assistance arrived some few minutes later he was found lying in a ditch beside the railway line.  Life was then quite extinct.’  

So reads the opening paragraphs of the report of the inquest.  In her testimony, Mark’s wife Elizabeth told of the great difficulty they had experienced in maintaining the family of six since Christmas and how this had preyed on Mark’s mind.  At the end of the proceedings, the jury, in an act of generosity, kindly devoted their fees to Elizabeth because of her straightened circumstances.  There were no social services to fall back on, in those days. 

It is only recently that the true circumstances of Mark’s death have been unearthed.  Prior to this the family had always understood that Mark had been killed at a level-crossing on his way home – ‘drunk as usual’.  No doubt the truth had been suppressed to avoid causing the children any undue distress.

Mark’s widow Elizabeth remarried the following year - with five children to bring up perhaps out of necessity.  She married George William Johnson, a fisherman, on the 25 Dec. 1892 at St John’s Church, New Clee.  By the time of the 1901 census, Elizabeth had two more children, a son, George Johnson, 8 years’ old, and a daughter, Gertrude Johnson, 5 years old.  It was Gertrude who cared for her mother when she became old and infirm.

By the turn of the century, nearly all of Mark’s children had left home. Lydia had married John Cardy in 1896 and by the time of the 1901 census had borne three offspring; John, Florence Annie and George Hugh.  It is possible more children followed.

Florence Coyney Mason married George Illingworth on the 1 January 1908, at the Church of St Peter in Bradford. They continued to live in the Bradford area and, as far as I know, they did not have any children.

Elizabeth married Swanson Carnes Trushell on the 26 August 1901 and had seven children over the next twenty years. Their eldest, Sidney Edward Trushell, is the father of Marjorie Burrett nee Trushell, who has provided me with a lot of information.  Most, if not all, of the descendants of Elizabeth Mason and Swanson Trushell are known right up to the present time.  They are too numerous to detail, but are illustrated on the accompanying family tree, although the most recent members of the family have been omitted to protect their anonymity.  The eldest living descendant is Elizabeth’s daughter (Mark’s grand-daughter), Joyce Coyney Clarke nee Trushell.

Charles Spode Mason Junior, the youngest of Mark’s children, died of TB at the age of 36 years on 24 January 1926.  He was employed as a Brewer’s cellar man and was staying at his mother’s house at the time of his death, so presumably he had not married.

We know very little of Elizabeth Smith’s first child Ann, except that she had a family and there are descendants living in America.

Acknowledgments: My special thanks to Marjorie Burrett, (a direct descendant of Miles Mason and Josiah Spode 1) and Lyane Kendall of New Zealand, a distant relative of the Mason family, for providing details of the Mark Spode Mason family tree.  My own small contribution was to provide a little more detail on the individuals and to successfully trace the whereabouts of an inscribed pottery mug presented to Mark Spode Mason shortly after his fifteenth birthday.  The mug in question was given to The Spode Museum Trust, Stoke in 1975 by a relative, to avoid any family dispute over ownership.

References: Birth, Marriage and Death certificates and Census Returns from the Family Record Centre London; The Grimsby News Fri. 20 Feb. 1891; extract of letter in the Haggar archives from the research notes of Peter Roden

Photo of Elizabeth and Sarah Smith courtesy of the late Marjorie Burrett.

Peace Celebrations 1814

Napoleon Bonaparte
Author's collection

On 6 April 1814, with the last of his armies defeated and Allied forces fast closing on Paris, Napoleon Bonaparte the self proclaimed Emperor of France gave into pressure and abdicated. Several days later the peace was ratified at the Treaty of Fontainebleau and two decades of almost constant war in continental Europe were seemingly brought to an end. Some days more passed before the news reached Britain but when it did the country celebrated in style with parties and merrymaking. The numerous towns and villages of the Potteries were not left out and the Staffordshire Advertiser gave this initial brief overview of the local festivities, which as indicated would be followed a week later by a longer and much more detailed account of proceedings.

'When our express left the Potteries yesterday, the inhabitants of that populous manufacturing district were in the height of their rejoicings. Most of the manufacturers were giving dinners, &c. to their workmen: and the principal inhabitants dining together in parties at the Inns. At Stoke, in the morning, a numerous assemblage decorated with white favours, and displaying a profusion of flags, paraded the town. - Four fat sheep were roasted, which, with one hundred loaves of bread and four kilderkins of good ale, [i.e. 64 to 72 gallons] were distributed to those poor persons residing within the districts of Stoke, Fenton, &c. who were not to be partakers of the dinners given by the manufacturers to their respective servants. An illumination and display of fire-works, were to take place in the evening.

At Lane End, we understand, similar proceedings were adopted, and considerable preparations were making for a splendid illumination in the evening.

At Burslem, a subscription was entered into which produced nearly £800, an ox and two sheep were purchased, which were roasted whole in the market place, and the principal inhabitants assisted in carving and waiting upon those who chose to eat. 13 hogsheads of good ale succeeded. Sir John Barleycorn had an uninterrupted reign. The Gentlemen dined in the market hall, which was fitted up with much taste, and there was a splendid illumination at night.

At Hanley a large party of gentlemen dined together in the Market Hall, and we understand the principal Houses and Manufactories were to be illuminated in the evening, and a display of fire works to be let off.

At Etruria Manufactory, the workmen, (in number about 500) dined together in a large room at one o'clock. Mr. Wedgwood presided and the following toasts were drank (sic) with enthusiasm. The King – Prince Regent – Queen and Royal Family – Navy and Army of Great Britain – the Allied Sovereigns – Louis 18 – Field Marshal Wellington – a general and lasting Peace – Staffordshire Potteries – Commerce of Great Britain – Cause of Civil and Religious Liberty throughout the World – Land we live in, &c. The females were to be regaled with tea in the evening, & the apprentices have an adequate treat. In the village of Woolstanton a sheep was roasted and distributed with a proportionate quantity of ale to the poor inhabitants. At Tunstall the rejoicings take place this day. Our time is so limited we cannot enter into particulars, but hope to give an additional account in our next.'

Staffordshire Advertiser 23 April 1814, p.4

What the Potteries Gave to Basketball

The Trenton basketball team 1896-97. Fred Cooper is bottom left with
the ball, his friend Al Bratton is bottom right.

In 1896, Frederick Cooper, a distant American cousin of mine, earned himself a place in the history books through the simple act of accepting a fee. Several years earlier, a dynamic new game called basketball had been invented that was gaining a strong following in the various YMCAs on America's east coast. Fred, already a keen sportsman had like many others quickly warmed to the game, becoming the star player and captain of the highly successful Trenton YMCA team that for the previous three years had dominated the emerging leagues. At first the new game had been played for fun and entertainment, but the groundswell of support soon saw seats being sold for popular teams and inevitably the money trickled back to the players that the crowds wanted to see. The result was that in 1896 Fred was the first to accept payment for a game and in doing so became the world's first professional basketball player.

Though he would make his name in the United States, Fred Cooper was actually born at 21 Bethesda Street, Shelton on 25 March 1874, the fifth of seven children – six boys and one girl – born to Thomas Cooper and Ann, nee Simpson. Fred's father, Thomas, had started out as a working potter but over the years had moved into small scale pottery manufacture. However, in the mid-1880s, in the wake of what was later described in Fred's obituary as 'some business reverses', Thomas and Ann decided to emigrate and join their eldest child, William who was already settled in the States, working at the Greenwood Pottery in Trenton, New Jersey. The Coopers left Britain early in 1886, travelling as steerage passengers (i.e. 3rd class) aboard the SS England, arriving at New York on 27 May 1886, from where they made the relatively short journey south west across the state to Trenton. As it turned out, Thomas would only enjoy his new home in America for a few years, dying in 1891 at the age of 56, but his wife and children settled into their new lives and over time became valued members of the local community.

Trenton, New Jersey, USA

On arriving in the States, Fred and his younger brother Albert, or 'Al' as he became best known, had been enrolled in the Centennial School where they soon got involved in sports and stood out as skilled footballers, a game their father had taught them. Fred especially proved to be an all-round sportsman, also taking up baseball, competitive running and later becoming a fine billiards player and a good bowler. His successes, though were at first eclipsed by his older brother, Arthur, who back in Britain had been such a skilled footballer that in the early to mid 1880s he played for Stoke F.C.'s junior team, Stoke Swifts. Arthur seems to have stayed behind for a year after the rest of the family emigrated, perhaps to help the Swifts in their attempt to win the junior league cup. Once this was over though, in 1887, he too took a ship to the States, but not before being presented with a handsome medallion by his team mates and the club. Once in the States, Arthur's success had continued, and it was not long before he was picked as a member of the All-America soccer team.

While his brother's career blossomed, Fred left school and found work as a sanitary-ware presser at one of Trenton's pot banks, a job he would do for the better part of three decades. He continued to pursue his love of sport in his spare time through the local YMCA, which acted as a youth club for boys and young men of religious families like the Coopers. Here he found a kindred spirit in another keen footballer named Al Bratton, with whom he seems to have formed a winning partnership, not only on the football pitch, but also when the two of them decided to try their hand at the new game of basketball that was sweeping through the YMCA branches. Only a few years had passed since Canadian-born training instructor James Naismith had dreamt up the indoor game to placate a group of YMCA trainees at the School for Christian Workers, Springfield, Massachusetts, who had been chafing at their inactivity during the long winter months. Though rough-hewn at first, with early games resembling pitched battles between oversized teams, basketball proved an immediate hit and when Naismith published an article on the game it was quickly taken up by YMCA branches along America's east coast. Soon, matches were drawing sizeable crowds and more and more teams sprang up, one of which was Trenton YMCA.

Fred Cooper and Al Bratton first joined the Trenton YMCA basketball team for the 1893-94 season and had an immediate and lasting impact on how the game was played. In those early days, basketball was a game of individual dribblers working their way through the opposition before attempting a shot at the basket, a method that favoured heavy-set players who could push their way through the field. According to one of basketball's early chroniclers, Cooper and Bratton changed this, creating a more fluid game by drawing on their footballing skills to develop a system of short, swift passes between them on the run, a style of play that completely unbalanced opposing teams.

'The Trenton system of passing was definite. It meant to carry the ball to the opponent's basket in order that a goal might be scored, and time and again I have seen Cooper and Bratton in those early days, pass the ball back and forth between them – no one else touching it – and score against all the efforts of the entire opposing team. I have seen them do this trick away from home and witnessed the spectators rise en masse and cheer the brilliant exhibition in spite of the fact that it was being done by invading players.'

For the next three seasons, the Trenton YMCA dominated the game in New Jersey and eastern Pennsylvania by which time Fred was the team captain and unofficial coach. Despite his refinements to the game, rough play characterised basketball in those free-wheeling and largely unregulated years, with physical injuries being an all too common feature of play, both on and off the court. Not only was there brawling between players, but partisan crowds took whatever opportunities came their way to try and injure or discomfort the rival team and as a result fighting between players and spectators was not unusual. Though the YMCA had quickly lauded Naismith's new game for promoting a useful spirit of 'muscular Christianity' - a healthy body breeding a healthy mind - the rough-housing and unsportsmanlike behaviour drew the Association's displeasure and increasingly basketball teams deserted the YMCA gyms, or were ousted by outraged officials and had to find other venues to play in.

Warren Street, Trenton, with the Masonic Temple nearest the camera.

Such seems to have been the case at the Trenton YMCA. Unspecified 'trouble in the gymnasium', followed by a string of disagreements between the branch secretary and the YMCA team saw the basketball players shifting their base to the Masonic Temple, a large building in downtown Trenton. Here the team made use of the large reception room on the top floor, where a 12 feet high mesh fence with gates at either end was built enclosing the court. This 'cage' was a new innovation, built to stop the ball going out of play so readily and prevent some of the troubles caused by resultant clashes with spectators. The Trenton team were the first to employ this device and though its use eventually fell out of favour, its early employment coined the term 'cager' as a snappy way to refer to a basketball player, a term that is apparently still in use today.

It was in this cage that Fred Cooper and his team mates made history by playing what is presumed to be the first professional basketball game on 7 November 1896, against Brooklyn YMCA. The game had been advertised in a local paper three days earlier (another first) and provisions were made for a sizeable crowd, raised seating being built around the court. Seats were priced at 25c, standing room cost 15c. Nor would the organisers be disappointed by the turn out, 'a large and fashionable audience' of 700 turning up to watch.

The Trenton team came out smartly dressed in red sleeveless tops, black knickerbockers and stockings and white ankle shoes. There were seven in each team, two forwards, a centre, two side centres and two defenders. This was before the days of the tall men in basketball, all of them being average sized, Fred himself was only 5 feet, 7 inches tall. In accordance with the practice of the time, the home team supplied the referee and the visitors chose the umpire.

The game started with seven minutes of 'fierce playing' before Newt Bugbee, one of Trenton's side centres scored the first goal. Fred did not disappoint either, leading the scoring by gaining six points for three baskets, while a player named Simonson scored Brooklyn's only point with a free throw three minutes before the game finished. Trenton's team played the full 40 minutes, while Brooklyn had one substitution. The final score was a 16-1 victory for Trenton.

Following the game, Trenton's manager hosted a supper for both teams at the Alhambra Restaurant, where the Trenton players received their historic payment. There has been some disputing the amount actually paid to the players after the various expenses were deducted, but the accepted version of events was that quoted in Fred's obituary in 1955. 'All the players collected $15  each, but Fred Cooper was the captain and manager (sic) and was paid off first. Thus he became the first professional basketball player in the world. He was proud of this distinction all his life.'

Many versions of the story add that Fred as the captain was also paid a dollar more than his compatriots, which if true also made him the game's first highest paid player.

As they had with the new swift style of play and Trenton's 'cage', other teams quickly followed Trenton down the professional route. This in turn led to the formation in 1898 of the first professional league, the National Basketball League, which Trenton under Fred Cooper's captaincy promptly dominated, winning the first two NBL titles. By this time the team had been joined by Fred's younger brother, Albert. Tall and handsome and as skilled as his brother, Al Cooper proved to be an accomplished goal scorer and easily the best player in the new league.

Despite their successes, during the first few NBL seasons, Fred was growing disillusioned with the Trenton team. His brother Al and Harry Stout, Trenton's top scorer did not get along, while the team's co-owners had also had a falling out. Keen for a fresh start, at the beginning of the 1900-1901 season, he quit the Trenton squad to coach a new team in nearby Burlington. The result, though, was embarrassing. Though Fred was an excellent coach, his new team lacked Trenton's pool of of talented players, the result being that Burlington lost its first eight games before Fred gave up. He was immediately snapped up to coach the Bristol team, before going on to coach at Princeton University between 1904-1906. It was not until 1910 that Fred returned to coach the struggling Trenton Eastern Basketball League team and did so successfully, winning the EBL title the following year. He was replaced as the coach the next year, but returned to coach Trenton one more time ten years later. His last stint as a team coach was at Rider College in the 1920s.

Fred and Catherine and their eldest children
Thomas and Mabel.
Photo courtesy of Susan Corrigan.

Alongside his sporting career, Fred enjoyed a happy family and social life. In 1901, he had married Catherine Carr and the couple had three children. Like his siblings he was an active member of the Trenton community, becoming in time a church elder, and a member of various local and national patriotic orders and Masonic lodges. As noted earlier he had worked for many years as a sanitary-ware presser at the Enterprise Pottery, which generously allowed him time off for his coaching duties, but he quit his job in 1922, when on the strength of his sporting career, he was offered a position as a director of local sports grounds, a posting that eventually led to him becoming head of the city recreation department.

Fred Cooper died in January 1955 at the age of 80, being buried in Greenwood Cemetery, Trenton. The local paper gave him a fulsome obituary, while the National Basketball Association,  heir to the early leagues that Fred and others had helped to forge, did not forget its pioneering sportsman. In February 1955, the NBA presented the city of Trenton with a bronze plaque in honour of Fred and his groundbreaking professional match, which was placed on the site of Trenton's old Masonic Temple.

The memorial plaque to the first
professional match.
Photo courtesy of Grace Cooper

Reference: Robert W. Peterson, Cages to Jump Shots: Pro Basketball's Early Years (New York, 1990) pp. 32-37.  Obituary, Trenton Evening Times, 7 January 1955. 

Family information courtesy of Grace Cooper and Susan Corrigan.

Website: Pro Basketball Encyclopedia.

Am I Not a Man and a Brother?

By the late 1700s, slavery, most notably the trade in African slaves, was being increasingly seen by many in Britain as a great moral evil. Abolitionist pamphlets and literature distributed in taverns, coffee houses, assembly rooms, reading societies and private houses up and down the country brought home to the people of Britain the atrocities committed by the Atlantic slave trade, and attacked the entrenched attitudes and vicious practices of slave owners and the greed of the other moneyed interests that thrived on this inhuman traffic.

The anti-slavery movement had originated with non-conformist groups in Europe and America in the late 1600s. Quakers and other dissenters objected to slavery on both moral and religious grounds, but because of their unorthodox beliefs they were regarded as social outsiders and barred from public office and as a result their views were largely ignored save by their fellow dissenters. The movement had grown slowly in Britain during the 18th century, but it finally found a voice and a leader in 1786, when Thomas Clarkson published  An Essay on the Slavery and Commerce of the Human Species. This proved to be a rallying cry for the movement, bringing Clarkson into contact with other like-minded men and the next year he and eleven others formed the Committee for the Abolition of the Slave Trade. This Committee would become a Society as it grew and would coordinate the Parliamentary campaign led by MP William Wilberforce that resulted in the end of the international trade in African slaves. That eventual success was still a couple of decades away, but the Committee made a good start, not only by being led by men of intelligence and zeal, but also by utilising what could be considered an early example of product branding, namely an easy-to-recognise logo, mass-produced by leading Staffordshire potter Josiah Wedgwood.

Josiah Wedgwood.

Josiah Wedgwood like many abolitionists was a non-conformist, being brought up as a Unitarian. He was not an immediate recruit to the cause, his early life being devoted to setting himself up as a potter and businessman. However, he was always very keenly interested in the social movements of his time and their consequences for society at large. This found its way into his paternal attitude towards his workers, whom he housed in the new model estate of Etruria that he built around his factory, and can be seen in the interest he took in the American Revolutionary War and the French Revolution. His involvement in the anti-slavery movement, though, seems to have come about through the influence of his business partner Thomas Bentley. Bentley had worked as a merchant in Liverpool, a circumstance that might normally have made him a supporter of slavery, but he was firmly opposed to the trade and unlike the other merchants refused to go and meet the slave ships when they came into port. Doubtless Bentley's feelings on the matter influenced Wedgwood in this just as his knowledge of arts and science had done earlier in their friendship. Certainly, following Bentley's death in 1780, Wedgwood subscribed to all the tracts and pamphlets concerning the abolition of the slave trade and used his influence to do all that he could to help the cause.

Wedgwood became friends with Thomas Clarkson and in 1787 he joined the Committee for the Abolition of the Slave Trade shortly after it was set up. As an experienced businessman  Wedgwood would prove to be a valuable asset in the Committee's arsenal. He understood the value of publicity - he afterall, was the man who had pioneered the idea of the money back guarantee and the benefits of the 'By Appointment' status of Royal patronage - and he now came to the Committee with a brilliant idea to help promote their cause. Better still, he had the means to bring his plan to fruition and was willing to pay for it out of his own pocket.

Wedgwood proposed producing a classically inspired oval cameo based on the seal of the Committee. This showed a kneeling African slave in chains, imploring mercy or pity, with the motto 'Am I Not a Man and a Brother?' The idea appealed to the Committee and Wedgwood immediately got one of his best craftsmen, William Hackwood, to first model and then prepare for production what became known as the slave medallion. Hackwood used Wedgwood's black jasper to represent the supplicant slave, set against a white or cream background in the same ceramic body, with the motto moulded in relief above and partly around the figure. Then, once the working moulds had been made, the medallion went into production. Thousands were made and Wedgwood immediately began sending them out - again out of his own pocket - to interested parties. Thomas Clarkson, writing years later, remembered receiving his first batch and recalled the instant and telling popularity the slave medallion enjoyed.

'Mr Wedgwood made a liberal donation of these, when finished, among his friends. I received from him no less than five hundred of them myself. They, to whom they were sent, did not lay them up in their cabinets, but gave them away likewise. They were soon, like The Negro’s Complaint, in different parts of the kingdom. Some had them inlaid in gold on the lid of their snuff-boxes. Of the ladies, several wore them in bracelets, and others had them fitted up in an ornamental manner as pins for their hair. At length, the taste for wearing them became general; and thus fashion, which usually confines itself to worthless things, was seen for once in the honourable office of promoting the cause of justice, humanity, and freedom.'

Most of the medallions were distributed via the Committee, but Wedgwood sent out many more himself, most notably in 1788 when he sent a package of the cameos across the Atlantic to Benjamin Franklin, an old acquaintance from the Lunar Society and at that time the president of the Pennsylvania Society for the Abolition of Slavery. Wedgwood wrote 'It gives me great pleasure to be embarked on this occasion in the same great and good cause with you and I ardently hope for the final completion of our wishes.' Franklin replied, 'I am persuaded [the medallion] may have an Effect equal to that of the best written Pamphlet in procuring favour to those oppressed people.' Sadly for both, neither Franklin nor Wedgwood would live long enough to see those wishes fulfilled.

Wedgwood continued to actively support the anti-slavery movement right up to his death in early 1795. He bought shares in a company set up to form a colony for freed slaves in Sierra Leone; befriended and advised William Wilberforce who would lead the parliamentary fight against slavery; and he paid for the printing and distribution of an anti-slavery pamphlet that the Committee produced. Offering to pay the cost for the production of a woodcut block, he advised them to head their pamphlet not with the advertisement they had originally planned, but with the woodcut, a reproduction of the same image of the kneeling slave that had inspired his own ceramic contribution to the cause.

Reference: Thomas Clarkson, History of the Abolition of the Slave Trade, vol. II (1807)

Website: Wedgwood Museum