Teddy Boy (Part 2)

'The first time we went to Manchester was after we’d talked with a bloke named Danny. I remember him saying he’d been in Manchester on a Saturday night with a couple of mates of his and they’d visited some rock and roll clubs there. Because there wasn’t all that much of it going  on around in Stoke at that time, we started going to Manchester on the train. It used to be 3s/6d return, and the trains used to run every half hour so you could catch one back early in the morning from Manchester to Stoke. We would catch the train at six o’clock on a Saturday night, arriving in Manchester three quarters of an hour later and would go the clubs until one or two o’clock in the morning. Then on the Sunday morning we would catch the mail trains back, that were coming down to deliver the papers from Manchester to Stoke and Birmingham. We went there plenty of times visiting all the different clubs in Moss Side in Manchester.

The Teddy Boy was also a miner. L to R: Stuart Colclough, Bill Cooper and Derek Ford at Hanley Deep Pit.

There were a  few times when we didn't take the train and instead had a lift up there in a car. I worked at Hanley Deep pit at the time and I knew this big, tall black guy named Jim Brown who had come down from Manchester to work in the pits here as he couldn’t get any well paid jobs where he came from. He’d got an old Standard Vanguard car - he was the only bloke I knew that had got a car - and he asked us if we wanted to go with him to Manchester for a weekend. We said “Well, it’s going cost us a bit.” - “Ooh no, you can stay with my family.” he said.

Anyway, he took us, five of us, in his Standard Vanguard, from the pit on a Friday night when we’d finished, straight to Manchester. When we got there we found that his family had a three storey house, a big old Victorian place with a stack of bedrooms! It was like being in one of the boarding houses at Blackpool. His parents were nice people and his mother especially was a right jovial woman! Jim had about five or six brothers and sisters and they all lived at home. I said, “Where are we going stay?” His mother said,” Well, there’s a lot of us here. Just grab somewhere to sleep. There are plenty of rooms. If you go in somebody’s bed you’re all right, they’ll go in another one.”

We went out that first night, but we were all tired because we’d been at work, so we only stayed out until about two o’clock. But on the Saturday night Jim took us to a party in Moss Side,  where all the warehouses were. Going down some steps he opened an ordinary looking door and we went into a huge cellar. There were old settees scattered all around the place and tables too, a band was playing and there were records in between! It was packed, mostly with black people, but there were quite a few white folk there as well. But, bloody hell, it was five o’clock in the morning when we finally came out, from about seven at night! And talk about drunk! Well, they were selling beer out of wooden barrels on trestles and you’d just helped yourself. You just gave them the money and filled your pint; or you could have bottled beer or whisky, or whatever you fancied. It was licensed, the blacks ran their own club. We went again on the Sunday night and then went to come home the next morning, because we had to go work on Monday night. 

We went to that place two or three times and Jim’s mother used to feed us up like mad. She had a large room and she’d had two big tables put in it, with chairs all around and then a kitchen with a serving hatch she’d had knocked in. She said, “I was fed up of carrying the stuff in, so I’ve had this knocked in so I could just pass it through to them.” 

They’d got a big range to cook all the stuff on and two of the grown up girls used to help her. They used to have a stack of food, a quantity of food I’ve never had since. I remember going in once and she said “We’re having chicken.” She got these big bowls out and they were full of chicken legs piled high, all cooked, it was steaming hot and you just helped yourself! 

They seemed to have plenty of money but, there were a lot of them and most of them worked. I’m not sure, but I think I remember something about a shop they’d got. Well in that area there were a lot of big shops down the main street and I think one of them was theirs. The mother didn’t work, I think it was the old man and two or three of the lads that run the shop. But, she used to come with us when we went out at night time, either that or she and the father used to come along later. She would dance as well, she wasn’t all that old, I should say she was in her late forties, but she seemed old to me because I was only sixteen or seventeen.


Reference: Interviews with William Cooper, 2007.

Teddy Boy (Part 3)

Despite all the dancing there was still plenty of time for drinking.

'We'd dance all night. That was the one thing we wanted do, nothing else, just dancing, dancing to rock music, continually. I used to go out dancing five nights a week. I often wonder how I ever made it to the pit the next day because we didn’t just go out for two or three hours at a time, we went out for six or seven hours.  It’s a wonder I wasn’t worn out by the time I was twenty. I’ve got in the house when Minnie was in, taken my big duffle coat and jacket off and my shirt was stuck to me, wringing wet. She’d say to me “You’ll finish up with bloody pneumonia.”

When you wanted to go dancing in Stoke, you’d either go up the Ideal Skating Rink, or to the TA places, like the one at the top of Bucknall Road. But after a while we started clubs of our own, one at Meakin's club near Meakin’s pot bank and we started another for rock and roll dancers at the Northwood Mission. It was there I taught Minnie's eldest Marie how to rock and roll and she used to go up the Northwood Mission with me on a Tuesday night. 

There were bigger halls of course, but they wouldn't let us in. You couldn’t get into Kings Hall if you were wearing a Teddy Boy suit in the early 1950’s, they’d kick you out. They probably thought we were going smash the place up. Aye, well, some of them did! There were plenty of fights. Every time you went anywhere there was nearly always a punch up. It was like it is now, no different - boozing and fighting. No different at all. The only thing that wasn’t around then much was drugs. You could get marijuana - a couple of sailors, blokes doing their National Service used to sell it at the Ideal - but at five bob a time it was too much. It was expensive five shilling was! A pint of mild was seven pence and the bitter was nine pence a pint. So reckon that up. You could have nearly six pints for five shilling. I mean, it used to be a shilling to go in the dance hall.

In the Ideal they didn’t sell alcoholic drinks, you could only have orange squash, tea or coffee. If you wanted a drink you used to have to go out and when you went out they stamped your hand so you could get back in again. You could guarantee that everyone would rush in quick, get a seat in there, or sit around the side, because you danced on the skating rink. All as they did was throw chalk down to make it less slippery, because they had ballroom dancing and then jiving in between that. They played a bit of ballroom, a bit of jiving. We all used to go in and get a seat, but you could guarantee at half past nine that half of them would be across the Sea Lion, or the Golden Lion further down.

Well at that time when I was seventeen I only had to have three pints and I was drunk! But some were worse. One of my mates, Tony Smith, he was terrible at getting us in fights when he'd been drinking. Terrible, he was. We got that fed up with him that we used to tell the blokes he was falling out with “Give him a bloody good hiding, it'll serve him right. He only does it for try and drag us in for pull him out again.” One bloke did give him a good slapping one night. We said to Tony afterwards “That serves you bloody right. It’ll teach you a lesson that will.” Mind you, they could have hurt him bad because there was a gang of them that night, but they let this one lad slap him around, he didn’t hurt him all that much anyway.

Then on another occasion, about six of us were sitting down at the side in the Ideal and Tony says “That bloody lad over there keeps bumping into me when I’m dancing.” We said, “Well what’s up with that?” He says, “He won’t do it again.” Next minute he runs on the floor, jumps on this bloke’s back and starts pulling him over. He’d been drinking and being the size he was he only had to have a pint and he was drunk. Of course, this bloke’s mates all started kicking and hitting Tony so we all joined in. They finished up chucking us out and it took us three weeks to get back in again. We had to go up and apologise to them.

With the boys in Blackpool.

I remember one big punch up in a dance hall at Blackpool when I was about eighteen or nineteen. It was absolutely packed in there. They’d got these three rock bands on and it was just solid rock and roll. There was a big gang of us and we were dancing with these girls from different parts of the country when the fight started. The next thing I knew a fist had hit the side of my face. Then somebody hit me with something. Then I was hitting somebody else. The next minute I said to Harold and John Hale and one or two others, “Come on! Out of here!” We dashed through the door and ran on up the stairs to the balcony, then we were looking over the top watching them fight. Then all these security blokes in uniforms came in. They just grabbed anyone who was fighting and must have thrown about a hundred and fifty of them out. We got well out of that, but my ear hurt the next day where somebody had punched me!

I’ve been in fights when they’ve been whirling bike chains, once at Blackpool and once down Stoke when one of us got stabbed. It was that quick. I remember leaning over him with a jumper, holding it on the wound until the ambulance came. The blood seemed to be everywhere! But I suppose it seemed a lot because he was wearing a white shirt. I think he must have been stabbed with a penknife myself. He was all right, though, it wasn’t all that deep. He was out next day walking around. I saw him in the pub. I said, “Art owrate? I thought thay'd have been in hospital for a month!”  He says, “Nah, they give me a couple of pints of blood and stitched me up.” I said, “Let’s have a look.” - three stitches. The best part of it, him that got stabbed, he’d only been with us about three or four times. He was no trouble at all, he wasn’t aggressive or anything. It wasn’t his fault, it was just that the fight started and he was the one that was in the road and got stabbed. And those that started it had all run. Of course the cops came and they were asking us all these questions, who was it, what’s their names - and how the bloody hell did we know? We didn’t know them. We just got into a fight with them in a dance hall which finished up outside.

I saw a lot of rockers and bands in the 50s and early 60s. Roy Wood of Wizard, I saw him when he was nobody, when he first started out. Joe Brown and the Brothers too and Tommy Steele. One time, I think it was with Ted Heath and his orchestra, Cliff Richard and the Shadows were there and me and Tony Hughes were talking to Cliff outside. He’d got a pink jacket on, a black shirt and a pink tie. We’d come out, we’d seen the show, come round the side, round where that little car park is - the stage door used to be there. Anyway, he was there with two of the Shadows - I think it was that Bruce Welch who used to play with them and somebody else. But they went in and we were talking to Cliff - I can’t remember what we said to him. I know Tony Hughes had his autograph, but we were talking to him for about five minutes and then he says, “I’ll have to go, because we’ve got another show.” And he went in. He was standing outside, he wasn’t smoking but the other two were. And then the Americans started coming to the Theatre Royal, but I can’t remember them all. And then what happened in 1965, when Rock and Roll was still going - even though the Teddy Boy era had finished - and it was bigger than ever? He came here, Chuck Berry, the greatest.

The Teddy Boy era went, though. As quick as it started, it finished, it just died out almost overnight. The music was still there, rock music was as big as ever, it’s just that the people themselves changed, I don’t why. I think it was partly because the Teddy Boy suits got that expensive; the tailors they twigged on. Plus the Teddy Boys, they started getting married and what have you and a lot of them were called up for the army, because National Service was still on. So, it just died out everywhere. But, they were good exciting years and I wouldn’t have missed them for anything.'

Reference: Interviews with William Cooper, 2007.

The Prehistoric Potteries

The Carboniferous landscape

The geological history of Stoke-on-Trent began over 300 million years ago in the Carboniferous period of the Palaeozoic era. At that time, the geological layers that today form part of the substrata of modern Britain were part of a giant landmass, the mighty super-continent of Pangaea. Over the eons Pangaea broke apart and millions of years more of creeping continental drift  moved one of its large fragments, the future continent of Europe, into the temperate climes of the northern hemisphere that it occupies today. In the Carboniferous period, however, Britain and its near neighbours lay in the tropics, just south of the equator and the land that now forms North Staffordshire was part of an extended coastal region. Lying where it did, the surface of the land here fluctuated just above or just below sea level, a situation which produced the varied deposits that make up the modern geology of North Staffordshire. 

The earliest of this local strata, comprising millstone grit and early sandstone, were laid down as thick oozing sediments on the prehistoric ocean floor. Occasionally, every million years or so, these accumulating layers would form into a delta, which pushed itself above sea level. Here, once a layer of earth had been laid down, peat deposits formed from vast steamy jungles of prehistoric plants that quickly colonised the swampy flood plains. Eventually, though, the sea returned, the plants died and the jungle floor silted over, entombing the lower layers in the geological record. As the aeons passed, the accumulating sediments once again clogged the shoreline, turning it in time into a swamp once more. This natural cycle, repeated itself many times during the 65 million years of the Carboniferous period and over time heat and pressure would squeeze the water out of the accumulating layers and crush them solid. Mud, silt and sand became shale, siltstone and sandstone. The layer of earth that had covered the raised delta, was transformed into seat earth, from which fireclay formed, while the millions of years worth of accumulated peat that lay above it, was over time compacted into rich seams of coal.

About 285 million years ago, however, this cycle came to an end. Conditions changed drastically, the land rose and most of the jungles disappeared. It was during this period that the thick band of common clay, the so-called Etruria marl, which with the coal measures later assured the rise of the Staffordshire pottery industry, was laid down as a reddish sediment that filtered into the remaining coastal lagoons. The climate then grew much hotter, turning the jungles to deserts, the sands of which now form the Triassic sandstones of Staffordshire, such as may be seen at Park Hall and Trentham. Later in the Triassic period, however, the waters returned once again, covering the deserts and Staffordshire spent the bulk of the Mesozoic era, the age of the dinosaurs, at the bottom of a warm, shallow sea.

Many millions of years later, when the seas had subsided and the land had been folded up by movements in the earth’s crust, the upper layers were periodically raked by the passage of ice sheets. The coming and going of these glaciers had a number of effects on the area. They gouged out valleys and dropped 'erratics' or large boulders all over the district, a notable example of which (seen here) until a few years ago used to sit outside the Staffordshire University Film Theatre in Stoke. 

The passage of the glaciers also exposed the ancient shoreline deposits, bringing a wealth of raw materials within easy reach. These deposits have also yielded a great many fossils, revealing the variety of animal life that once walked, or swam, over the Potteries. Though no dinosaur bones have been discovered, the fossilised remains of various ancient fish, lizards and some prehistoric mammals, have been found within the confines of the City of Stoke on Trent. For instance, there are the remains of prehistoric sharks that once swam over what is now Longton and Fenton. Mammoth bones have also been unearthed. In his Natural History of Staffordshire, published in 1686, Dr Robert Plot describes the jaw and tooth of a ‘young elephant’, that was found in a marl pit on the Leverson Gower estate in Trentham. Plot, living in an age where natural history was a very patchy science, believed this to be the remains of a modern elephant that had been brought to England and perhaps kept for prestige and entertainment of a local lord, though this seems very unlikely. More bones and tusks have been discovered in Stoke Road, Shelton and in another marl pit in Fenton. In 1877, when the course of the Fowlea Brook, near Etruria Station was being altered, the skull and horn cores of a Bos taurus primogenous, or auroch, a prehistoric wild ox, much larger than a modern-day bison, was discovered. According to Josiah Wedgwood, many fossils were unearthed by James Brindley’s men when they were cutting the Grand Junction Canal, but nothing of these remains save for the briefest mention of various plant impressions and the finding of a rib from some giant unknown animal.

Dandy Dogs and the Mad Cat Artist

When he paid a visit to the Potteries in the summer of 1874, journalist James Greenwood noted that Hanley was a town full of dogs:

'Tykes of all ages, sizes, and complexions sprawl over the pavements, and lounge at the thresholds of doors, and sit at the windows, quite at their ease, with their heads reposing on the window-sill, hob-and-nob with their biped "pal," who cuddles his four-footed friend lovingly round the neck with one arm, while his as yet unwashed mining face, black and white in patches as the dog's is, beams with that satisfaction which con­tent and pleasant companionship alone can give.'

Some of the prize winning animals at the 1885 Hanley dog show.

How accurate a portrait of the town this was is open to debate as Greenwood immediately went on to write the infamous story of the 'man and dog fight' that scandalised the area, a tale that ultimately backfired on him when it became pretty obvious that he had concocted the whole story. Yet there is plenty of evidence to suggest at least in the comment above that Greenwood was not being untruthful and the locals were indeed keen pet owners and dog fanciers. A dog and poultry show was regularly held in Hanley from 1865 into the 1870s and in October 1883 Hanley hosted a major dog show organised by the North Staffordshire Kennel Club. This proved so successful that in February 1885 a second exhibition took place. This was larger and much more widely reviewed by the press, attracting not only local but national and even international attention.

Held over two days 24th and 25th February in the old covered market in Hanley, there were 774 entries for the show and there could have been more but for a lack of space. Most of the major show breeds were present in large numbers. There were 170 fox terriers; 74 St Bernards; 27 mastiffs; 22 pointers; 18 setters; 88 collies; 34 bull dogs; 20 bull terriers; 48 dachshunds; 18 pugs; and six bloodhounds. Add to this the more obscure dogs and hounds, some from abroad, plus some champion dogs including five mastiffs who had secured honours at the prestigious Crystal Palace shows, and you had you had a major treat for dog lovers from across Britain. Anticipating a good turnout both the North Staffordshire and London and North Western Railways issued cheap tickets for those wanting to attend the show.

Providing a series of illustrations for The Illustrated Sporting and Dramatic News, was Louis Wain, the artist who in later life went mad and spent his latter years painting numerous pictures of sinister anthropomorphic cats. At the time of the Hanley dog show, however, he was still quite sane and penned a series of fine dog portraits and whimsical side illustrations. The most amusing sketch showed a carriage trundling its way up the bank from Stoke Station up into Hanley, bringing with it a fine collection of prize pooches, large and small, riding in or on top, or running behind the coach, evidently much to the astonishment of onlookers.

Another of Wain's illustrations showed that once in the market hall the various dogs were housed in a series of pens ready for the viewing of the general public and while they waited on the judges to do their rounds. There were a few problems. A reviewer in the same paper that carried Wain's illustrations noted that quite a few of the dogs on show still bore evidence of a mange epidemic that had recently swept the country. Most were over the disease and the worst effects they showed were rather patchy coats, but a few displayed signs that their condition was still 'alive', much to the reviewer's alarm. The entry of such obviously infected dogs he put down to the laxness of the 'honorary veterinary surgeon' and the inconsiderate nature of some owners. This was all the more surprising as one of the Kennel Club's rules stated quite forcefully that no dog suffering from mange or any other infectious disease would be allowed to compete or be entitled to receive a prize.

The writer also suggested that the chains holding the dogs in their pens were in many cases far too long. Some of the dogs were fierce or excitable and in their frenzy apt to fall over the edge of their bench and with the smaller dogs in danger of hanging themselves. Wain illustrated the point with a picture showing a placid St Bernard face to face with a group of irate terriers, one of whom had taken just such a tumble and was in danger of throttling itself. The long chains also allowed more mischief as some of the animals were able to get around the partitions and engage in scraps with their surprised neighbours.

In the long run, though, these were minor issues in what turned out to be a very successful and well organised show. And as can be seen from Louis Wain's fine illustrations, despite the ravages of the mange epidemic there were still many handsome dogs on hand to pick up the numerous prizes. So popular did the exhibition prove that another show was organised early the next year and the competition carried on through the latter years of the 19th century expanding into a dog and cat show by the late 1890s.

References: The Illustrated Sporting and Dramatic News, 7 March 1885 pp. 607, 617, 623.  James Greenwood, Low Life Deeps, pp. 16-17

Pictures: Author's collection.

The Crimean War: The Fall of Sebastopol

For the soldiers, the end of the fighting in the Crimean War, came with the fall of the Russian port of Sebastopol on 5th September 1855. The latter fell only after the Russians had started to abandon the town. However, before leaving they destroyed their forts, ships and munition dumps to stop them falling into allied hands. One local soldier 'T.M.', an artilleryman, (probably Thomas Moreton R.A., who had previously had a letter printed in the Sentinel) writing of the event to his parents in the Potteries, was manning one of the gun batteries that had pounded the town in the days prior to its fall and thus had a grandstand view of the final allied advance.

British artillery during the Crimean War.

'Dear Parents,

It is with pleasure that I have another opportunity of addressing a few lines to you, hoping they will find you enjoying perfect health, I am happy to inform you that I never enjoyed better health in my life than I am doing at present time. Dear parents I am very happy to inform you that Sebastopol has fallen into the hands of the allies at last, the bombardment commenced on the morning of the 5th inst, and at twelve O' clock mid day, on the 5th, the Malakoff and Redan Batteries stopped, two divisions of the British Army assisted the French at the Malakoff, and Redan was attacked by the red jackets. I believe they advanced into Malakoff without a gun opening fire on them, the Russians being quite surprised when the enemy perceived the attack, they retired a little to the rear and got under cover, and a sharp struggle ensued, and after a lapse of time they had to retire from the Malakoff entirely and leave in the hands of the Allies. My brave countrymen, who attacked the Redan were not so fortunate, they perceived them coming. Dear parents I can scarcely tell what my feelings were when I saw our men jumping over our works to make the attack, many of them never to return alive; They had no sooner left the works than the Musketry commenced to rattle, and the firing from the Cannonade that was pretty brisk before, was now kept up with more vigour, but a very short time elapsed, before the British were climbing over the ramparts of the enemy's works, driving the enemy before them. When our men got into this the "Redan" we commenced to send the shell further over the works to catch the enemy when retiring.

British troops attacking the Redan

The infantry were in the Redan for about a hour or a hour and a half as near as I can tell; We had ceased firing at the battery I was at for fear of wounding some of our men.I was looking over to see what was going on when all at once I perceived the infantry retiring from the Redan as fast as their legs would carry them. When I saw this I thought it was going to be another 18th of June affair (i.e. an earlier unsuccessful attempt to storm the Redan). We did not take possession of it until about twelve O'clock at night, and then the Russians abandoned it altogether. They did not only leave the Redan and Malakoff in our hands, but the Barrack, Flag staff, Garden and point Batteries, in fact, they deserted the place entirely, and went to the north side. The next day, Sunday, was a regular day of plunder, everyone who could pass the sentries made their way into Sebastopol, for to make themselves masters of anything they could find. I got in myself, and was not a little surprised to find every house that was not destroyed by shot and shell the enemy had set fire to; It was nothing but a heap of ruins; and furniture of every description, pictures, pianofortes, in fact, everything that you could mention was there. I had as much as I could carry away, but it was all taken away from me, and from hundreds more; there was a line of sentries all along, who had orders to take every article away from everyone. The French, on the contrary, were allowed to take away whatever they could carry. There was a great many who got drunk in the town, some of the stores being cramped with spirits. I managed to get away a very nice forage cap, by putting it into my breast, also some silver lace, and a few other articles. Their shipping is completely destroyed. The French have thrown up a Battery in the town to play upon some of the Forts on the north side; They still keep possession of that point Our Batteries look strange, all the platforms are dug up, and the guns are being taken away daily, and we have orders to destroy the works entirely. I don't known how they are going to act, but reports are going abroad that part of the seige train will be removed from the Crimea altogether to go on station. Some of the infantry are removed to Balaklava, they say they are going to sail around to Perekop. God only knows how it is to be; As yet they have only to give orders, and we will obey them. I don't expect to leave the Crimea until the enemy is driven from it, and winter will soon be upon us now, and prevent us from doing much more, without they look sharp. I received a letter from Morgan the day I received your last; He was in Portsmouth, but was expecting to be shifted to Woolwich; He said he should come on Furlough. I am very happy to inform you that I did not receive a scratch this last bombardment. We had two men killed one of them by the bursting of one of our guns, the other by gun shot. I was at the gun that burst the day before, they only fired six rounds out of it after I left it when it burst. I fired sixty rounds myself out of it the day before; It was the man that fired it off that was killed. I have nothing more to say at present, but wishing you all well. Give my love to brother, and accept the same yourselves.

T. M.

Reference: Staffordshire Sentinel and Commercial & General Advertiser, Saturday 06 October 1855, p.3

The World's First Mid-Air Rescue

On 9 July 1908, the Longton Park Fête was in full swing and as well as the numerous stalls, funfair rides and other amusements put on to beguile the crowds that flocked to the park, there was another attraction, a parachute descent was to be performed by Captain Auguste Gaudron’s team. Thrilling as this was in itself, spice would be added to the display by the descent being made not by men, but by two young women, an experienced parachutist, Elizabeth ‘Dolly’ Shepherd and a novice named Louie May. In fact, Louie May should have made her first jump the day before from a new large balloon known as the ‘Mammoth’, the biggest then in Britain. The balloon and its passengers had indeed gone up, but it had been too windy to make the jump and to console the disappointed crowd Captain Gaudron had announced that they would try again the next day. He added that they would be joined overnight by the famous Dolly Shepherd who was doing a jump elsewhere that day, but that tomorrow she and Louie would make a double descent. Sure enough, Dolly arrived in Longton later that night and though initially surprised that Louie’s jump had not gone ahead, she was happy to join her for her maiden descent. 

L to R: Dolly Shepherd and Louie May

This morning the day seemed perfect; the sun was out and there was no sign of the high wind that had spoilt the jump the day before. At Captain Gaudron's request Dolly and Louie went out early and mingled with the spectators to drum up interest. This they could do without even trying. Dolly was an attractive brunette and Louie a pretty blue-eyed blonde and both of them were practically clad in – for the time – rather daring, masculine-looking blue knickerbocker suits styled loosely after a midshipman's uniform, plus matching caps that certainly attracted a lot of attention. So too again did the Mammoth which Gaudron’s men now began filling with gas and this soon towered high over the park and stood waiting for its passengers.

However, the weather again spoilt their plans, this time with a short but heavy downpour of rain that suddenly and rather unexpectedly caused the Mammoth to sag and then collapse. There were urgent cries from Gaudron’s team and announcements over a loudspeaker, “No smoking please. Gas is escaping.” The spectators moved back a safe distance and watched the balloon in dismay. Sensing the frustration of the onlookers, seemingly robbed of yet another chance to see the lady parachutists, Captain Gaudron now turned to Dolly and asked her if she had brought her smaller balloon with her from her previous performance. Luckily, she had left it at the train station, so a pony and trap were immediately sent to collect it while the Mammoth crumpled into an untidy heap and Gaudron’s men went in to check it over. The problem was soon identified as a faulty top valve that had been leaking and it had only needed the weight of the rain to cause its collapse. 

All was not lost, though, for Dolly’s balloon, though much smaller in size was quite capable of lifting two people. There was no basket underneath, instead the parachute hung down beneath the balloon and the parachutist would be suspended at the bottom in a sling-like seat into which she was tied with a belt, whilst holding onto a trapeze bar. Keeping track of her altitude with an aneroid barometer on her wrist, once the correct height had been reached, the parachutist would then tug on a cord that would release the parachute via a simple mechanism. The mechanism would also cause a valve on the balloon to open, venting the gas and thus sending it back to earth. These ‘solo’ balloons were normally reserved for more advanced parachutists and it was unusual to send a first-timer up under them, maiden jumps usually being accomplished from a basket, but as that was no longer an option and with Dolly as a willing chaperone, Captain Gaudron felt confident enough to let Louie go up with her.

When the balloon arrived it was immediately hooked up to the gas pipe and the canvas soon began to swell up into a large globular shape, the ground staff holding it down with ropes attached to the netting that covered the balloon. It was no hardship to rig it for two parachutes, one on either side to balance it up, though a second release mechanism had to be hastily improvised for Louie’s chute and this worked perfectly. Then the two women were carefully fastened into their slings and held onto their trapeze bars while the balloon was held suspended above them. With all of the delays it was now 8 p.m., and a huge crowd had gathered to watch. Captain Gaudron now gave the order, “Let go!”, the ropes were released, the two women ran forward to get under the balloon as it leapt into the air and were suddenly lifted off the ground, Dolly setting off with a jaunty wave of the silk Union Jack that she kept for such occasions.

The plan was for the balloon to climb to a height of 4,000 feet before the two women pulled their release cords; they would then float to earth within view of the thousands of spectators. However, that height came and went and no descent was made. Instead the balloon kept on climbing higher and drifting out of sight. By this time the spectators as well as Captain Gaudron and his people, had realised that something had gone wrong. Alarmed, Gaudron soon set off in urgent pursuit of the errant balloon and its two passengers, leaving the crowds in Longton Park to slowly disperse and go home, troubled by the turn of events and anxiously awaiting news of the fate of the two female aeronauts.

Something had indeed gone badly wrong. High in the sky above North Staffordshire away from the eyes of the assembled spectators, a scene of high drama was taking place, against which even the excitement and danger of a normal parachute drop paled into insignificance.

Initially, the ascent to 4,000 feet had been trouble free and as Dolly later recalled, Louie had been delighted with the experience. When they did eventually reach the required height, Dolly as the more experienced parachutist called time and waited to see Louie release her chute and start her descent before she did the same. It was just as well that she did, for when Louie reached up and pulled on her release cord, nothing happened; the improvised mechanism that worked so well on the ground had jammed. Pulling herself over via a connecting rope, Dolly tried to release her companion's parachute but to no avail and the balloon carried on ascending, passing through the cloud layer and into the clear sky above to a height of 11,000 feet. At this height the air was thin and it was getting cold and Dolly realised that the only way that they would both escape from their increasingly perilous situation would be to risk making the drop back to earth on her parachute. Using the connecting rope to pull them together once more, she now told her frightened companion what they needed to do. Painfully aware of the two mile drop below them, Dolly held them together while Louie carefully unfastened herself from her sling and the two women wrapped their arms and legs around each other tightly before letting the defective 'chute swing away. Hoping that her own parachute release still worked, Dolly reached up and pulled the release cord and was rewarded instantly by the sight of the the balloon apparently leaping away from them as they plummeted earthward. For a few nerve-wracking seconds the parachute struggled to open, but as they exited the clouds and hit heavier air Dolly felt a familiar pull and looked up to see the parachute fully deployed above them, arresting their fall to what she hoped was a survivable speed.

A wildly exaggerated newspaper illustration of the

incident. Not only are details of the rescue incorrect

but in reality Dolly and Louie's knickerbocker 

suits were much more practical.

Swinging down out of the evening sky on their single parachute, the two women now found themselves suspended over a vast tapestry of green fields, woods and little villages. The prevailing winds had taken them south-east of the Potteries in the direction of Uttoxeter. Dolly, though, was not so much concerned about where they were, but how to land safely, as with Louie restricting her movements, there was no way of steering to a softer landing spot and the ground was rushing up much faster than normal. As they neared the ground, for the first time in the entire episode Dolly felt a pang of fear and cried out in alarm, as they seemed to be heading directly for a road, the hard surface of which might prove fatal at this speed. Luck, though was on their side and moments later they thumped down into the soil of a farmer’s field,  Dolly hitting the ground first and falling backwards as Louie, still holding on tightly, landed on top of her. The impact felt like a hammer blow for both of them and Louie immediately jumped to her feet, crying that all her teeth were knocked out. In fact she was unharmed and when the initial shock had passed, the two of them burst into peals of hysterical laughter out of sheer relief at having survived such a terrifying but remarkable adventure. 

Though Louie was fine, Dolly remained lying on her back and did not move. She felt that she had injured herself quite badly and that she needed to stay where she was until help arrived. Moments later a portly farmer appeared followed by his wife and children, then another farmer and his family, all of whom had seen the parachute coming down. They immediately offered to help Dolly to her feet but she begged them to leave her alone and call for a doctor. One of the farmers, Charles Hollins then took charge and a man was sent off to Shelton to get a doctor. The women now discovered that they had landed at Field Farm, three miles from the village of Leigh and 14 miles from Longton where they had begun their balloon ride.

When the doctor eventually arrived he immediately appreciated that Dolly had sustained a serious back injury and had her carefully lifted into a door provided by Farmer Hollins in lieu of a stretcher. She was then transported back to the Hollins’ farmhouse where she would find herself laid up for the next 8 weeks. Here, under the doting care of the Hollins family and the watchful eyes of a couple of local physicians, who treated her with mild electrical therapy, Dolly made a remarkable recovery and to the surprise of many within a couple of months of her accident she was not only walking, but parachuting once more.

Dolly continued with her parachuting career until 1912, when during one of her solo ascents, she claimed to have heard a voice telling her quite clearly not to come up again or she would be killed. Utterly convinced, once she had landed safely she announced to Captain Gaudron that she was giving up parachuting and immediately returned to London, where for a time she worked in her aunt’s shop. During World War One, Dolly served as an ambulance driver on the Western Front. Occasionally, she was called upon to use her driving skills to chauffeur army officers around the front; one of these she later married and finally settled down. True to her word, she never did another parachute jump.

Decades later, though, in her twilight years, the old parachutist did mix with like-minded people once more. She was famous now not only for her pioneering achievements in parachuting, but also because she was a record holder, being officially recognised by the Guinness Book of Records, for making the world’s first mid-air rescue. As a result she was honoured by invites from the Parachute Regiment’s Red Devils and the RAF Falcons display teams and despite the ethereal warning from above not to go up again, in 1976, the elderly Dolly took advantage of her latter-day fame to take a ride up in an aeroplane with the Red Devils, to watch them perform a sky dive, but it was her last journey up into the clouds. Dolly Sedgwick, nee Shepherd, died in 1983, just a few weeks short of her 97th birthday. 

As to what became of the other actor in that famous first mid-air rescue, Louie May, Dolly could not say. Captain Gaudron and Louie had returned to London during Dolly’s convalescence and she never saw her again. She later heard that Louie’s fiancé was livid when he discovered what she had been doing and that he had immediately spirited her away from the crazy world of parachuting and the dangerous company of Miss Dolly Shepherd.

Reference: Dolly Shepherd, When the Chute Went Up, pp. 129-151 : Uttoxeter Advertiser and Ashbourne Times 17 june 1908, p.8 and 1 July 1908, p.5.

What the Potteries Gave to Basketball

The Trenton basketball team 1896-97. Fred Cooper is bottom left with
the ball, his friend Al Bratton is bottom right.

In 1896, Frederick Cooper, a distant American cousin of mine, earned himself a place in the history books through the simple act of accepting a fee. Several years earlier, a dynamic new game called basketball had been invented that was gaining a strong following in the various YMCAs on America's east coast. Fred, already a keen sportsman had like many others quickly warmed to the game, becoming the star player and captain of the highly successful Trenton YMCA team that for the previous three years had dominated the emerging leagues. At first the new game had been played for fun and entertainment, but the groundswell of support soon saw seats being sold for popular teams and inevitably the money trickled back to the players that the crowds wanted to see. The result was that in 1896 Fred was the first to accept payment for a game and in doing so became the world's first professional basketball player.

Though he would make his name in the United States, Fred Cooper was actually born at 21 Bethesda Street, Shelton on 25 March 1874, the fifth of seven children – six boys and one girl – born to Thomas Cooper and Ann, nee Simpson. Fred's father, Thomas, had started out as a working potter but over the years had moved into small scale pottery manufacture. However, in the mid-1880s, in the wake of what was later described in Fred's obituary as 'some business reverses', Thomas and Ann decided to emigrate and join their eldest child, William who was already settled in the States, working at the Greenwood Pottery in Trenton, New Jersey. The Coopers left Britain early in 1886, travelling as steerage passengers (i.e. 3rd class) aboard the SS England, arriving at New York on 27 May 1886, from where they made the relatively short journey south west across the state to Trenton. As it turned out, Thomas would only enjoy his new home in America for a few years, dying in 1891 at the age of 56, but his wife and children settled into their new lives and over time became valued members of the local community.

Trenton, New Jersey, USA

On arriving in the States, Fred and his younger brother Albert, or 'Al' as he became best known, had been enrolled in the Centennial School where they soon got involved in sports and stood out as skilled footballers, a game their father had taught them. Fred especially proved to be an all-round sportsman, also taking up baseball, competitive running and later becoming a fine billiards player and a good bowler. His successes, though were at first eclipsed by his older brother, Arthur, who back in Britain had been such a skilled footballer that in the early to mid 1880s he played for Stoke F.C.'s junior team, Stoke Swifts. Arthur seems to have stayed behind for a year after the rest of the family emigrated, perhaps to help the Swifts in their attempt to win the junior league cup. Once this was over though, in 1887, he too took a ship to the States, but not before being presented with a handsome medallion by his team mates and the club. Once in the States, Arthur's success had continued, and it was not long before he was picked as a member of the All-America soccer team.

While his brother's career blossomed, Fred left school and found work as a sanitary-ware presser at one of Trenton's pot banks, a job he would do for the better part of three decades. He continued to pursue his love of sport in his spare time through the local YMCA, which acted as a youth club for boys and young men of religious families like the Coopers. Here he found a kindred spirit in another keen footballer named Al Bratton, with whom he seems to have formed a winning partnership, not only on the football pitch, but also when the two of them decided to try their hand at the new game of basketball that was sweeping through the YMCA branches. Only a few years had passed since Canadian-born training instructor James Naismith had dreamt up the indoor game to placate a group of YMCA trainees at the School for Christian Workers, Springfield, Massachusetts, who had been chafing at their inactivity during the long winter months. Though rough-hewn at first, with early games resembling pitched battles between oversized teams, basketball proved an immediate hit and when Naismith published an article on the game it was quickly taken up by YMCA branches along America's east coast. Soon, matches were drawing sizeable crowds and more and more teams sprang up, one of which was Trenton YMCA.

Fred Cooper and Al Bratton first joined the Trenton YMCA basketball team for the 1893-94 season and had an immediate and lasting impact on how the game was played. In those early days, basketball was a game of individual dribblers working their way through the opposition before attempting a shot at the basket, a method that favoured heavy-set players who could push their way through the field. According to one of basketball's early chroniclers, Cooper and Bratton changed this, creating a more fluid game by drawing on their footballing skills to develop a system of short, swift passes between them on the run, a style of play that completely unbalanced opposing teams.

'The Trenton system of passing was definite. It meant to carry the ball to the opponent's basket in order that a goal might be scored, and time and again I have seen Cooper and Bratton in those early days, pass the ball back and forth between them – no one else touching it – and score against all the efforts of the entire opposing team. I have seen them do this trick away from home and witnessed the spectators rise en masse and cheer the brilliant exhibition in spite of the fact that it was being done by invading players.'

For the next three seasons, the Trenton YMCA dominated the game in New Jersey and eastern Pennsylvania by which time Fred was the team captain and unofficial coach. Despite his refinements to the game, rough play characterised basketball in those free-wheeling and largely unregulated years, with physical injuries being an all too common feature of play, both on and off the court. Not only was there brawling between players, but partisan crowds took whatever opportunities came their way to try and injure or discomfort the rival team and as a result fighting between players and spectators was not unusual. Though the YMCA had quickly lauded Naismith's new game for promoting a useful spirit of 'muscular Christianity' - a healthy body breeding a healthy mind - the rough-housing and unsportsmanlike behaviour drew the Association's displeasure and increasingly basketball teams deserted the YMCA gyms, or were ousted by outraged officials and had to find other venues to play in.

Warren Street, Trenton, with the Masonic Temple nearest the camera.

Such seems to have been the case at the Trenton YMCA. Unspecified 'trouble in the gymnasium', followed by a string of disagreements between the branch secretary and the YMCA team saw the basketball players shifting their base to the Masonic Temple, a large building in downtown Trenton. Here the team made use of the large reception room on the top floor, where a 12 feet high mesh fence with gates at either end was built enclosing the court. This 'cage' was a new innovation, built to stop the ball going out of play so readily and prevent some of the troubles caused by resultant clashes with spectators. The Trenton team were the first to employ this device and though its use eventually fell out of favour, its early employment coined the term 'cager' as a snappy way to refer to a basketball player, a term that is apparently still in use today.

It was in this cage that Fred Cooper and his team mates made history by playing what is presumed to be the first professional basketball game on 7 November 1896, against Brooklyn YMCA. The game had been advertised in a local paper three days earlier (another first) and provisions were made for a sizeable crowd, raised seating being built around the court. Seats were priced at 25c, standing room cost 15c. Nor would the organisers be disappointed by the turn out, 'a large and fashionable audience' of 700 turning up to watch.

The Trenton team came out smartly dressed in red sleeveless tops, black knickerbockers and stockings and white ankle shoes. There were seven in each team, two forwards, a centre, two side centres and two defenders. This was before the days of the tall men in basketball, all of them being average sized, Fred himself was only 5 feet, 7 inches tall. In accordance with the practice of the time, the home team supplied the referee and the visitors chose the umpire.

The game started with seven minutes of 'fierce playing' before Newt Bugbee, one of Trenton's side centres scored the first goal. Fred did not disappoint either, leading the scoring by gaining six points for three baskets, while a player named Simonson scored Brooklyn's only point with a free throw three minutes before the game finished. Trenton's team played the full 40 minutes, while Brooklyn had one substitution. The final score was a 16-1 victory for Trenton.

Following the game, Trenton's manager hosted a supper for both teams at the Alhambra Restaurant, where the Trenton players received their historic payment. There has been some disputing the amount actually paid to the players after the various expenses were deducted, but the accepted version of events was that quoted in Fred's obituary in 1955. 'All the players collected $15  each, but Fred Cooper was the captain and manager (sic) and was paid off first. Thus he became the first professional basketball player in the world. He was proud of this distinction all his life.'

Many versions of the story add that Fred as the captain was also paid a dollar more than his compatriots, which if true also made him the game's first highest paid player. Also, the 'professional' status is perhaps somewhat fuzzy as he still worked as a potter; semi-professional, might be more accurate. That argument aside, it started a trend that would lead to the fully professional game seen today

As they had with the new swift style of play and Trenton's 'cage', other teams quickly followed Trenton down the professional route. This in turn led to the formation in 1898 of the first professional league, the National Basketball League, which Trenton under Fred Cooper's captaincy promptly dominated, winning the first two NBL titles. By this time the team had been joined by Fred's younger brother, Albert. Tall and handsome and as skilled as his brother, Al Cooper proved to be an accomplished goal scorer and easily the best player in the new league.

Despite their successes, during the first few NBL seasons, Fred was growing disillusioned with the Trenton team. His brother Al and Harry Stout, Trenton's top scorer did not get along, while the team's co-owners had also had a falling out. Keen for a fresh start, at the beginning of the 1900-1901 season, he quit the Trenton squad to coach a new team in nearby Burlington. The result, though, was embarrassing. Though Fred was an excellent coach, his new team lacked Trenton's pool of of talented players, the result being that Burlington lost its first eight games before Fred gave up. He was immediately snapped up to coach the Bristol team, before going on to coach at Princeton University between 1904-1906. It was not until 1910 that Fred returned to coach the struggling Trenton Eastern Basketball League team and did so successfully, winning the EBL title the following year. He was replaced as the coach the next year, but returned to coach Trenton one more time ten years later. His last stint as a team coach was at Rider College in the 1920s.

Fred and Catherine and their eldest children
Thomas and Mabel.
Photo courtesy of Susan Corrigan.

Alongside his sporting career, Fred enjoyed a happy family and social life. In 1901, he had married Catherine Carr and the couple had three children. Like his siblings he was an active member of the Trenton community, becoming in time a church elder, and a member of various local and national patriotic orders and Masonic lodges. As noted earlier he had worked for many years as a sanitary-ware presser at the Enterprise Pottery, which generously allowed him time off for his coaching duties, but he quit his job in 1922, when on the strength of his sporting career, he was offered a position as a director of local sports grounds, a posting that eventually led to him becoming head of the city recreation department.

Fred Cooper died in January 1955 at the age of 80, being buried in Greenwood Cemetery, Trenton. The local paper gave him a fulsome obituary, while the National Basketball Association,  heir to the early leagues that Fred and others had helped to forge, did not forget its pioneering sportsman. In February 1955, the NBA presented the city of Trenton with a bronze plaque in honour of Fred and his groundbreaking professional match, which was placed on the site of Trenton's old Masonic Temple.

The memorial plaque to the first
professional match.
Photo courtesy of Grace Cooper

Reference: Robert W. Peterson, Cages to Jump Shots: Pro Basketball's Early Years (New York, 1990) pp. 32-37.  Obituary, Trenton Evening Times, 7 January 1955. 

Family information courtesy of Grace Cooper and Susan Corrigan.

Website: Pro Basketball Encyclopedia.