Showing posts with label art. Show all posts
Showing posts with label art. Show all posts

25 August 2023

The Lamppost of Beauty

On 11 June 1956, 46 year old Arnold Machin and his 34 year old wife Pat of number 15 The Villas, Stoke, took a stand against the encroachment of post-war brutalist architecture and what they saw as the insidious spread of ‘subtopia’ near their home. When they heard that morning that a gang of workmen were coming later that day to remove an old Victorian lamppost from the centre of their estate and replace it with a modern streamlined concrete electric lamppost, they were appalled that such a fine bit of street furniture was being usurped simply in the name of progress. So, the Machin’s decided to make a stand and promptly sat themselves in front of the lamp for the next six hours. It was a hot day, so they hunkered down under an umbrella and tellingly sat reading The Seven Lamps of Architecture by John Ruskin, (an essay that outlined the principal demands of good architecture) and waited to see what transpired.

Arnold Machin was no mean intellect when it came to the subject of form and beauty. Born in 1911 at Oak Hill, he had begun his working life as a china painter at Mintons, but moved on to study sculpture at the Art School in Stoke, followed by a stint at Derby Art School and then the Royal Academy in London. He was later retained as a designer for Wedgwood and worked a teacher at the Burslem School of Art and in the same year that he made his stand over the lamppost, he was elected as a member of the Royal Academy and a Fellow of the Royal Society of British Sculptors. And as his record showed, like many a seemingly straight-laced academic, he had a strong rebellious streak and was prepared to stand up for his beliefs come what may. Sixteen years earlier Arnold Machin had done just that and served time in prison during World War Two for being a conscientious objector. Now, when the workmen turned up he stuck to his principles once more, saying: " I forbid you, as a token protest on my part, to remove this ornamental gas-lamp centrepiece."

Faced by the prickly couple and not sure what to do, the workmen politely withdrew and put in a call to the city surveyor, Mr D. F. Brewster who soon arrived on scene. In response to the official, Mr Machin merely turned to Chapter IV "The Lamp of Beauty." of Ruskin’s work and carried on reading. When shortly after this a police inspector and a sergeant also appeared, seeing what was afoot Machin put down his book, threw his arms around the lamppost and his wife slipped a chain around his wrists and padlocked him in place. Mr Machin then proclaimed to the police: "This is my protest against the destruction of all the beautiful things which is going on in this country." 

The officials paused to have a quick conference then offered Mr Machin a compromise, saying that he could have the lamppost to have in his garden. He was satisfied with the suggestion, so Pat unlocked him. A crane arrived a short time later, pulled the lamp out of the ground, carried it 40 yards to the Machins’ house and dropped it neatly outside their front gate. Undaunted by the large post with a sizeable block of concrete at the bottom, the Machin’s said they were going to mount a commemorative plaque on it, find somewhere to put it in their garden and surround it with flowers. 

Reference: Daily Mail, 12 July 1956.

25 March 2019

Dandy Dogs and the Mad Cat Artist

When he paid a visit to the Potteries in the summer of 1874, journalist James Greenwood noted that Hanley was a town full of dogs:

'Tykes of all ages, sizes, and complexions sprawl over the pavements, and lounge at the thresholds of doors, and sit at the windows, quite at their ease, with their heads reposing on the window-sill, hob-and-nob with their biped "pal," who cuddles his four-footed friend lovingly round the neck with one arm, while his as yet unwashed mining face, black and white in patches as the dog's is, beams with that satisfaction which con­tent and pleasant companionship alone can give.'

Some of the prize winning animals at the 1885 Hanley dog show.
How accurate a portrait of the town this was is open to debate as Greenwood immediately went on to write the infamous story of the 'man and dog fight' that scandalised the area, a tale that ultimately backfired on him when it became pretty obvious that he had concocted the whole story. Yet there is plenty of evidence to suggest at least in the comment above that Greenwood was not being untruthful and the locals were indeed keen pet owners and dog fanciers. A dog and poultry show was regularly held in Hanley from 1865 into the 1870s and in October 1883 Hanley hosted a major dog show organised by the North Staffordshire Kennel Club. This proved so successful that in February 1885 a second exhibition took place. This was larger and much more widely reviewed by the press, attracting not only local but national and even international attention.

Held over two days 24th and 25th February in the old covered market in Hanley, there were 774 entries for the show and there could have been more but for a lack of space. Most of the major show breeds were present in large numbers. There were 170 fox terriers; 74 St Bernards; 27 mastiffs; 22 pointers; 18 setters; 88 collies; 34 bull dogs; 20 bull terriers; 48 dachshunds; 18 pugs; and six bloodhounds. Add to this the more obscure dogs and hounds, some from abroad, plus some champion dogs including five mastiffs who had secured honours at the prestigious Crystal Palace shows, and you had you had a major treat for dog lovers from across Britain. Anticipating a good turnout both the North Staffordshire and London and North Western Railways issued cheap tickets for those wanting to attend the show.


Providing a series of illustrations for The Illustrated Sporting and Dramatic News, was Louis Wain, the artist who in later life went mad and spent his latter years painting numerous pictures of sinister anthropomorphic cats. At the time of the Hanley dog show, however, he was still quite sane and penned a series of fine dog portraits and whimsical side illustrations. The most amusing sketch showed a carriage trundling its way up the bank from Stoke Station up into Hanley, bringing with it a fine collection of prize pooches, large and small, riding in or on top, or running behind the coach, evidently much to the astonishment of onlookers.

Another of Wain's illustrations showed that once in the market hall the various dogs were housed in a series of pens ready for the viewing of the general public and while they waited on the judges to do their rounds. There were a few problems. A reviewer in the same paper that carried Wain's illustrations noted that quite a few of the dogs on show still bore evidence of a mange epidemic that had recently swept the country. Most were over the disease and the worst effects they showed were rather patchy coats, but a few displayed signs that their condition was still 'alive', much to the reviewer's alarm. The entry of such obviously infected dogs he put down to the laxness of the 'honorary veterinary surgeon' and the inconsiderate nature of some owners. This was all the more surprising as one of the Kennel Club's rules stated quite forcefully that no dog suffering from mange or any other infectious disease would be allowed to compete or be entitled to receive a prize.

The writer also suggested that the chains holding the dogs in their pens were in many cases far too long. Some of the dogs were fierce or excitable and in their frenzy apt to fall over the edge of their bench and with the smaller dogs in danger of hanging themselves. Wain illustrated the point with a picture showing a placid St Bernard face to face with a group of irate terriers, one of whom had taken just such a tumble and was in danger of throttling itself. The long chains also allowed more mischief as some of the animals were able to get around the partitions and engage in scraps with their surprised neighbours.

In the long run, though, these were minor issues in what turned out to be a very successful and well organised show. And as can be seen from Louis Wain's fine illustrations, despite the ravages of the mange epidemic there were still many handsome dogs on hand to pick up the numerous prizes. So popular did the exhibition prove that another show was organised early the next year and the competition carried on through the latter years of the 19th century expanding into a dog and cat show by the late 1890s.

References: The Illustrated Sporting and Dramatic News, 7 March 1885 pp. 607, 617, 623.  James Greenwood, Low Life Deeps, pp. 16-17

Pictures: Author's collection.

27 February 2018

Death of a Lady Artist

Image reproduced with kind permission of The British
Newspaper Archive (www.britishnewspaperarchive.co.uk)
Late in the evening of 18 January 1899, Mr Richard Smith of Stoke was walking along Bagnall Street, Hanley alongside the Victoria Hall, when he was startled by the sound of a gunshot nearby. There was no one else in sight, but he noticed that across the road, a door beside a small medical dispensary was standing part-way open. Peeking carefully through the opening into a dark passageway beyond he spotted a body lying on the floor a pistol in its hand. Alarmed, he dashed to the police office around the corner in the Town Hall and returned moments later accompanied by an inspector and several policemen. When they reached the passage they found 51 year old Dr John Craig who ran the dispensary examining the body of a woman who had clearly shot herself in the head. They could make out little more in the dark, but when the doctor announced that the woman was still breathing the police brought a stretcher and together they carried her across to the police parade room. Hardly had they got into the well-lit yard, though than Dr Craig let out a cry having recognised the woman before him. The man was visibly shocked and while a senior officer took him aside for questioning the police searched the injured woman for clues to her identity.
Going through her pockets they found numerous items: some money, a few keys, a packet of arnica, a left luggage receipt from Stoke Station and several newspaper clippings, one of which carried a few lines from Tennyson’s poem, Sea Dreams.
‘……. he that wrongs his friend
Wrongs himself more, and ever bears about
A silent court of justice in his breast,’

There were also receipts for recorded letters and a cryptic inscription on a visiting card that indicated a strong connection with Dr Craig. These along with the doctor’s own faltering statement soon identified the woman as Catherine Devine, a 43 year old artist from Chelsea. The doctor explained how he knew her and what he believed had just happened here and why. The lady herself, though, did not live to give an account of her actions, dying from her wound at 10 p.m., without regaining consciousness.

Present-day Bagnall Street, Hanley.









The full story of the connection between Catherine Devine and Dr John Craig came to light two days later in front of a packed court at the coroner’s inquest into her death. Here, Dr Craig revealed that he and Catherine had known one another for about 25 years, having first met in her home city of Edinburgh. It was there that John Craig had trained as a doctor, being licensed in 1869 and shortly afterwards he had married Ellen Macintyre a native of the Potteries, before moving to the area and setting up his practice in Hanley. His wife had given him a son and daughter, but in December 1874 she died at the age of 25, leaving him a widower with two young children on his hands.

Among his late wife's friends were Eliza and Catherine Devine of Edinburgh, daughters of a well-known and wealthy family of Scottish artists. Eliza had agreed to paint a posthumous portrait of Mrs Craig and whilst visiting their studio in 1876 to see how work progressed, Dr Craig had met and become so smitten with the younger sister Catherine, that he had been contemplating asking her to marry him. They corresponded for a time, but his marriage hopes had faded a short time later, when Catherine and several members of her family emigrated to New Zealand in 1878. Robbed of his potential bride the doctor had little choice but to get on with his life as a single parent and as the years passed he became very content with this state of affairs.

Catherine remained in New Zealand and later Australia for eleven years, carving out a moderately successful career as an artist, but in 1889 she returned to Britain. Settling in a studio flat in Glebe Street, Chelsea, her skills soon saw her supplying artwork for several London fashion magazines and eventually holding an exhibition of her works. To this she invited several old friends including Dr Craig. This restarted their acquaintance and they corresponded intermittently for a few years until Catherine was invited to spend Christmas with the Craigs at their house at Mossley near Congleton. During this visit, Dr Craig innocently noted to Catherine in conversation that prior to her departure to New Zealand he had contemplated asking her to marry him, and was surprised when she immediately asked him why he could not ask her now? The doctor replied that time had altered his circumstances, that he was content and he now had no thought of marrying anyone. Catherine seemed to accept that at the time, but the remark had struck a chord with this brilliant but lonely woman and she soon started to obsess over the matter.
Apparently oblivious to what he had started, Dr Craig extended another invitation for Catherine to stay once again a few months after this, but she soon upset the situation by again urging Dr Craig to marry her. He again refused and the next morning, whilst he was out, Catherine left the house under a cloud. Returning to find her gone, Dr Craig was left feeling very angry at her behaviour and that might have been the end of the matter, but a few months later he received a conciliatory letter from Catherine and he agreed to meet with her at her home in London when he visited the capital for Queen Victoria’s Jubilee in 1897. After watching the festivities he did indeed call on Catherine, prepared to let bygones be bygones, but when she again raised the subject of marriage he left in disgust and vowed never to visit her again.

Catherine then began to bombard Dr Craig with a series of scathing letters on his conduct that were followed more often than not by apologetic letters or telegrams asking him to reply. The doctor did reply to some to try and calm her down, especially when she began to threaten to kill herself. However, staggered by the barrage of letters he began to receive and the increasingly erratic mood swings of his would-be paramour, Dr Craig started to burn many of the letters unopened.

This state of affairs had carried on for the best part of a year, during which time Dr Craig had attempted to maintain his distance from Catherine. The death of her mother, though, in October 1898, seems to have made him sympathetically disposed towards her once more and shortly afterwards he met her again during a visit to London. He found her in a miserable state and recalled that she was in tears most of the time. Her one consolation was that she now wrung a promise from the doctor that if he would not marry her then he would marry no one else, an assurance he was happy to give. She also asked if she might be invited for Christmas once more if she avoided the question of marriage. Dr Craig told her that he and his daughter were in the process of moving into a house in Hanley adjoining his practice and would anyhow be in Northumberland visiting his mother over Christmas. He promised her, though, that once they had moved in after New Year, that she would be invited for a visit. Satisfied with this, Catherine parted amicably with Dr Craig and eagerly waited for the invitation to arrive.

Sure enough a few weeks later a letter did come, but the news it contained flung Catherine back into a rage. Dr Craig wrote to her saying that due to the work needed on the new house and because his daughter would be going abroad for a while, he did not feel that he could accommodate Catherine before his daughter’s return in March; in effect, for the time being at least, she couldn’t come. Stung by what seemed like another heartless rejection, Catherine wrote a furious reply saying that he had deceived her, adding ominously that she could not go on like this. It was a threat she had voiced before, but this time after all of the mental agonies she had suffered over the past year, it seems that Catherine had finally snapped. In the notes discovered after her death it appears that she wrote more letters to Dr Craig, but, as before, finding himself pestered beyond belief, the doctor had once again begun to burn the letters unopened. He was thus completely unaware of what she now set out to do.

Nor would he be the only one, as to most of her London friends the story of Catherine’s violent passion for Dr Craig would come as a great surprise, as she had displayed no outward signs of any great interest in men except as friends. All noted that she had been ill over the past year, stricken by a listlessness that her own physician, Dr Schorstein, put down to anaemia, but otherwise she seemed to be the same kindly, mild-mannered woman she had always been. As a result, none of them were aware – or could even have guessed – that Catherine spent early January 1899 preparing for her death, finishing a portrait of her doctor and wrapping up her affairs.

On the morning of 18 January, Catherine paid a visit to her housekeeper, Mrs Stoner, who had injured her wrist several days before and she now made sure that the elderly lady had everything she needed. Catherine told her that she would be going to Staffordshire for a few days, joking that it would give Mrs Stoner a rest from her. Back in her flat, Catherine left a package with a letter in her writing desk laying the blame for what she was about to do squarely on Dr Craig. Then she dressed well, putting on a fashionable lady’s walking-out costume, collected a nightdress she had wrapped up in brown paper (the police speculated that she brought the nightdress with her to be used as her shroud), a travelling rug, an umbrella and her purse containing money and a few notes to give the police enough clues to discover her story. She also pocketed the small, silver five-shot revolver that she kept for personal protection. Catherine then sent for a cab to Euston Station to catch the 4 p.m. train to Stoke. As she left, Catherine waved goodbye to her housekeeper and that was the last time that anyone who knew her saw her alive and conscious; it thus became the job of the police to reconstruct her last hours for the benefit of the inquest.

After a three hour journey north, the train arrived at Stoke Station at 7.14 p.m., and it appears that, after depositing most of her belongings at the left luggage office, Catherine had walked from Stoke into Hanley. Never having visited Dr Craig’s new house in Bagnall Street, she seems to have taken the better part of an hour locating it. Once she had, though, Catherine went into the gated entry where she removed her right glove to give her a better grip and taking out the pistol she placed the barrel against her right temple and pulled the trigger, inflicting the fatal wound.

Because of Catherine’s accusations against him, Dr John Craig found himself being closely questioned at the coroner’s inquest in an effort to determine if he was in any way morally responsible for what had taken place. Indeed, the doctor feared so much for his reputation that he had employed a solicitor to sit in on the inquest to represent his interests in the proceedings. However, the coroner was satisfied with the explanation that Dr Craig had given to the inquest; nor did the police see any reason to pursue the matter any further. The jury thought likewise and quickly returned the verdict that Catherine Devine had committed suicide whilst of unsound mind.

The final act in this tragic tale of missed opportunities and fatal obsession took place the day after the inquest, on Saturday 20 January, when the remains of Catherine Devine were interred at Hanley Municipal Cemetery. To avoid undue attention, the funeral took place a day earlier than advertised and the funeral cortège took a circuitous route to the cemetery for the same reason. Two of Catherine’s London friends, Miss Maud McCarthy and Dr Schorstein, who had appeared at the inquest, were the only mourners and not more than a dozen people stood around the grave in the pouring rain as the last rites were performed. As this was a suicide’s burial, there would be no headstone to mark her lonely plot, while the brass plate on the polished oak coffin bore only the simplest inscription.

Catherine Devine
Died Jan. 18 1899,
Aged 43 years.


Reference: Staffordshire Sentinel 19 - 23 January 1899. Numerous national and international papers January - March 1899.

22 January 2018

Turkey Attacks Artist

On 22 April 1910, an unnamed but 'well known' Staffordshire artist was sketching some ruins near Hanley on this Friday afternoon, when he was attacked by a large turkey and endured a running battle with the bird that lasted a quarter of an hour. 
The turkey approached the artist perhaps more out of curiosity at first, but when he man tried to simply shoo the bird away it attacked him. Using his sketch block the artist aimed a blow at the bird's head, but missed and after using his stool and artist's palette with no greater success, he sought refuge behind a tree. The turkey pursued him and the man was forced to try and fight the bird off by kicking at it, shouting for help as he did so. Eventually a party of golfers and a farmhand heard his cries and came to the rescue, driving the turkey off. Though badly shaken and exhausted by the encounter, the artist was not severely injured. 
Reference: Staffordshire Sentinel, 26 April 1910.