His Superb Fighting Spirit

Lance-Sergeant J. D. Baskeyfield VC

Operation Market Garden, launched on 17 September 1944, was an Allied attempt to seize a series of strategic bridges through the Netherlands to break into Nazi Germany and end the war sooner. The plan was for three giant airborne raids, consisting of thousands of paratroopers and glider borne troops, to seize and hold the bridges, while an armoured column would punch its way north through the intervening German troops and link up with the lightly armed airborne forces before they were overrun. American paratroops dropped at Eindhoven and Nijmegen succeeded in capturing and holding their positions until the armoured column arrived. However, the British 1st Airborne Division, assigned to capture the furthest target, the road bridge at Arnhem, faced difficulties from the start, with many paratroopers and gliders landing far from their target. Only one battalion, under Major John Frost, reached Arnhem, but they could not secure the bridge. The rest of the Division, including several battalions of the Paras and the 2nd Battalion South Staffordshire Regiment, all under the command of General Roy Urquhart, were stuck outside the town, facing transport and communication issues and fierce enemy resistance.

On 19 September, General Urquhart attempted to reach Frost and his men in Arnhem, but the British suffered heavy losses against German armour. Urquhart therefore pulled his men back to Oosterbeek, a suburb of Arnhem, hoping to establish a bridgehead against the river until ground forces arrived. The Paras and South Staffords created a perimeter at the edge of Oosterbeek, bringing in artillery to cover the main roads and snipe German tanks when they came. At 11:15 a.m., eight anti-tank guns from the South Staffords were moved forward, with two of their 6-pounder guns positioned at the T-junction of Benedendorpsweg and Acacialaan to take on any German armour moving in from the north-east, while other guns covered their flank and troops in trenches and nearby buildings prepared to support the gunners and confront any enemy infantry.

In charge of the two guns facing up Acacialaan was 21-year-old Lance-Sergeant John Daniel Baskeyfield of the South Staffords’ Anti-Tank Platoon. Born on 18 November 1922, ‘Jack’ Baskeyfield was the eldest of five children born to Daniel and Minnie Baskeyfield of Burslem. Educated at Burslem St John’s School and Christ Church, Cobridge, for several years he was a choirboy at Cobridge Church. Starting work as an errand boy, he later trained as a butcher and briefly managed a co-op butchers in Pittshill. He was called up for the army in February 1942 and served with the 2nd South Staffords in North Africa, Sicily, and Italy before participating in Operation Market Garden. No stranger to peril, during the North Africa campaign, a glider that Jack was aboard crashed into the sea and he spent 8 hours in the water before being picked up by a launch. Evidently a good soldier, he had achieved the rank of lance-sergeant through merit and during the ferocious battle that would take place around his guns the next day, his ability to lead and inspire those around him would prove him worthy of the rank.

The statue depicting Jack Baskeyfield at Festival Park, Etruria

By nightfall on the 19th, British forces in Oosterbeek had been heavily pounded by artillery and mortar fire, resulting in significant losses. On the 20th, German forces attacked the eastern side of the perimeter with infantry, tanks, and self-propelled guns, aiming to overrun the weakened British position. Despite the heavy fire, the British airborne soldiers fought back fiercely, particularly Baskeyfield and his crew, who are said to have destroyed two Tiger tanks and a self-propelled gun. Their success, though, came at a heavy cost, the gun crew being either killed or badly injured in the fighting, Jack being seriously wounded in the leg. In the lull that followed the initial German attack, Jack refused to be carried off to the Regimental First Aid post and instead manned his gun alone, shouting encouragement to the men in nearby buildings and trenches. When the Germans returned with even greater ferocity, Baskeyfield fired round after round until his gun was finally put out of action.

Pulling himself away from the wreckage and under intense enemy fire, Jack crawled across the road to the other gun, Corporal Hutton's 6-pounder, the crew of which now lay dead around it. Again, he manned the gun alone, though another soldier tried to crawl across the road to help him, but he was killed almost immediately. Undaunted, Jack carried on, engaging another enemy self-propelled gun that was moving in to attack. He managed to get off two rounds, one of which scored a direct hit on the vehicle, rendering it ineffective, but, sadly, whilst loading for a third shot, he was killed by a shell from a supporting enemy tank.

There is some question over the number or type of ‘kills’ that Jack and his men gained, but there is no disputing that the terrific stand he made inspired nearby troops and bolstered that part of the perimeter. This undoubtedly helped in preventing the Germans from cutting the 1st Airborne Division from the Rhine, across which the survivors of Urquhart’s forces escaped several days later. For by 25 September, the desperate struggle for Arnhem was over, and Major Frost's men had been forced to surrender. Hundreds of soldiers and over 400 Dutch civilians had been killed, thousands more wounded and Arnhem and its suburbs were wrecked and littered with bodies, many mangled beyond recognition. Corporal Raymond Corneby and other captured troops were working to gather up bodies where Baskeyfield and his men had fallen, when he found just such a corpse, a battered, headless body by the wreckage of a gun, which he buried in a nearby garden. From the evidence Corneby found on the body it seems very likely that this was Jack Baskeyfield, whose remains now lie in an unknown grave. His name appears on panel 5 of the CWGC Groesbeek Memorial to the Missing. 

The modern day juction of Benedendorpsweg looking up Acacialaan - which was then much more open - from where the German tanks were approaching. Baskeyfield's final position was on the left where the 'Jack Baskeyfield Tree' now stands.

Source: Google Earth

Despite his body being lost, Jack's deeds were not forgotten, and word of his bravery spread quickly. A week after the battle, war artist Bryan de Grineau drew a sketch of the action for the Illustrated London News and official reports were made on Baskeyfield's behalf, with the recommendation that he be posthumously awarded the Victoria Cross. This was granted, and the London Gazette carried the official citation for his award five days after what would have been his 22nd birthday. This outlined the action and Jack Baskeyfield’s doggedness in carrying out his duty in defending the road junction, his determination to carry on even though badly wounded and it praised ‘his superb fighting spirit’ which inspired all who witnessed his stand. Back home, though his parents and siblings were devastated by the news of his death, they were immensely proud at the news that Jack had been awarded the Victoria Cross. At an investiture at Buckingham Palace on 17 July 1945, Daniel and Minnie Baskeyfield received their son’s medal from King George VI and soon after the war they took a trip to the Netherlands to see where their son had died. Jack Baskeyfield’s VC is today in the keeping of the Staffordshire Regiment Museum at Whittington near Lichfield.

Pride was felt across the Potteries at Jack’s incredible bravery. A memorial fund was set up, a mural was raised in his honour at one of his old schools and his name continues to be used proudly around the city in streets, buildings, an Army Reserve Centre and for a while a local school. In 1966, a local amateur film maker Bill Townley began filming a well-produced cinematic depiction of Jack’s deeds entitled ‘Baskeyfield VC’, which received it’s first public airing in 1969 and is still available to buy on DVD. Official memorials also appeared. A plaque dedicated to the town’s medal winner sits near to Burslem’s war memorial on Swan Bank, but surprisingly the most notable memorial was erected not in Burslem, but at Festival Heights in Etruria. Unveiled in 1990, the twice-life size statue of Jack Baskeyfield sculpted by Steven Whyte and Michael Talbot, has him in action, shell in hand in the act of loading his gun; a brave man, defiant to the end. 

Reference: Andy Saunders (Ed.),Victoria Cross (magazine), pp.96-99; Evening Sentinel, 24 November 1944 p.1 and p.4; Evening Sentinel, 18 July 1945.

Hanley Goes to Hollywood

Hanley Stafford, c.1945
Source: CBS Radio, Public Domain
via Wikimedia Commons

Alfred John Austin had been born in Hanley on 22 September 1899, the eldest child of George and Emily Austin, he had a younger sister named Ann. In 1911 the family emigrated to Canada, settling in Winnipeg, Manitoba, where the father George initially worked on the railway and later as a caretaker. Their settled life, though, was interrupted by World War One. It seems that young Alfred was keen to go to war as on 16 August 1915, he attested for the Canadian Army, claiming he was 19, though he was actually a month shy of his 16th birthday. Two days later his father George also attested for the army, though the two were posted to different units, Alfred joining the 79th Cameron Highlanders of Canada with whom he went to serve in France. In 1916, his father George Austin was killed in action, while Alfred for his part is said to have been wounded in the Third Battle of Ypres and his papers indicate that in 1917 he also suffered from shell shock. It was also in 1917, whilst probably visiting friends and relatives in the Potteries, that Alfred married his first wife Doris Roberts at St George’s Church, Newcastle-under-Lyme on 23 December. He returned to France, eventually rising to the rank of Company Sergeant Major, but got through his remaining service unscathed.

Returning home to Canada with his new wife in 1919, he settled back in Winnipeg where he and Doris had a son, Graham, born in 1920. He had started acting with the Winnipeg Permanent Players on his return and through them, he got a job with a summer stock company that toured western Canada, but when the company folded he had to make a living in other ways, taking jobs working in wheat fields, hauling freight and working as an office stenographer. In search of more acting work, in 1922 he took his family to live in the USA, settling in California. Five years later on his application for US citizenship, to give himself a memorable stage name and in a nod to his place of birth, he stated that he wished to be known henceforth (in the States, at least) as Hanley Stafford. He then played in summer stock productions for eight years and then in tent shows. He was appearing in radio plays in Los Angeles by April 1932 and briefly went to Phoenix to manage a stock theatre company, but returned to Los Angeles in August to resume his stage and radio work. His career was going well, but at the expense of his marriage it seems and in 1934, he and Doris were divorced. The next year he married his second wife Bernice Bohnett.

After starring in the New York radio detective series Thatcher Colt from September 1936 to March 1937, Stafford again returned to Los Angeles and there took on a number of radio roles, providing voices for amongst others Speed Gibson and The Shadow of Fu Manchu. In December 1937, he also landed the role of Lancelot ‘Daddy’ Higgins, the oft-harassed father of mischievous Baby Snooks, a young girl played convincingly by a grown actress, Fanny Brice, originally in a series of sketches on The Good News Show and later on The Baby Snooks Show. It was the role that made his name and alongside his other work Stafford continued playing the part until the final broadcast on 22 May 1951, two days before the sudden death of star Fanny Brice. In 1939, Stafford also took on another notable role as J. C. Dithers, the boss of Dagwood Bumstead, in the popular radio comedy Blondie, again a part he would play for many years. That year, his second marriage failed and in 1940 he married Veola Vonn, who played Dimples Wilson in Blondie. They would stay married until Stafford’s death.

Between 1950 and 1963, Stafford also appeared as a guest star or in bit parts on various television series, these included The Popsicle Parade of Stars and Hollywood Premiere Theatre, episodes of  Cheyenne, Maverick, Shirley Temple’s Storybook, Sugarfoot, and 77 Sunset Strip, The Brothers, The Betty Hutton Show,  Angel, The Millionaire. and The Lucy Show. He also appeared in minor roles in several light-weight films such as Lullaby of Broadway starring Doris Day, A Girl in Every Port, Just This Once, Tell it to the Marines, Francis Covers the Big Town and The Affairs of Dobie Gillis. These, though seem simply to have been strings to his bow, radio being his preferred medium. In 1960 for his radio work, Hanley Stafford was awarded a star on the Hollywood Walk of Fame. This was unveiled on 2 August 1960 at 1640 Vine Street, Hollywood, California; the venue was fitting as in Stafford’s heyday, the area around the intersection of Sunset Boulevard and Vine Street was known as ‘Radio Row’ housing the four large radio stations in the city where he had worked for the past two decades.

Hanley Stafford, born Alfred John Austin, died at home from a heart attack on 9 September 1968, in Los Angeles, California, USA, aged 68. He was cremated and his ashes placed alongside those of his mother in the Columbarium of Heavenly Peace, Forest Lawn Memorial Park, Glendale, Los Angeles. 

Reference: Wikipedia entry for Hanley Stafford; IMDb entry for Hanley Stafford; Find-a-Grave entry for Hanley Stafford.

Boots! Boots! - A Potteries World Premier

Probably at some point in early to mid July 1934, Burslem hosted the world premier of the first film of an up-and-coming star, when, according to report, the Palladium Cinema in in Waterloo Road showed a new British comedy entitled Boots! Boots! The star of the production was George Formby Jr, the son of a notable music hall performer, who would go on to be one of the biggest home grown film stars of the early 20th century. In his most famous films, Formby was invariably cast as a gormless but cheeky character with an infectious grin and an astonishing skill with a ukulele, on which he played numerous very catchy tunes; his films still come over surprisingly well today. This early film, though, was a far cry from those later glossy productions. Apparently filmed over a fortnight on a shoestring budget in a room above a garage, the film has the feel of a review, with very little plot. George plays John Willie (a character invented by his father) a hotel boots who indulges in a number of comic encounters with the hotel manager, the chef, some of the hotel guests and a scullery maid (played by Formby's formidable wife Beryl). Discovering John Willie's prowess with the ukulele and the maid's dancing skills, the manager puts them in the hotel's cabaret.

George Formby later described Boots! Boots! as 'a lousy film', and certainly it seems very cheap and cheerful today, but on it's opening it proved to be a great hit across the country and effectively launched Formby's cinema career. By his own account he himself saw what a draw the film was when he secretly came to the Potteries to see the film open and was astonished to find that it was playing to packed houses. A Sentinel reviewer described it as ‘a distinctly happy piece of entertainment. There are plenty of laughs, an abundance of good tunes and the settings are up to standard for a film of this type.’

The reason why the exact date of the premier is unknown seems to be because the Palladium Theatre often went through periods when it did not advertise in the Sentinel, 1934 being one of these times and as a result the date is lost. The film was subsequently shown at the Roxy in Hanley for three days from 19 July and at the Regal, Newcastle on Bank Holiday, Monday, 6 August 1934, having gone on general release on 30 July. 

Reference: Staffordshire Sentinel 7 August 1934, p.3; correspondence of Jonathan Baddeley and David Rayner in The Way We Were supplement to the Sentinel, partially reprinted in The North-West George Formby Newsletter 36, Vol. 3, No. 12, June 1998, p.4.

In Glorious Biocolour

In the early to mid 1920s, a pioneering film maker Claude Friese-Greene and his assistant, drove a car from Land's End to John O'Groats. Using a specially developed process of early colour photography christened 'biocolour', their journey was immortalised in a documentary The Open Road, the purpose of which was to show off the new process. Due to film limitations only a narrow spectrum of blues, greens and reds could be captured by Friese-Greene's method, nevertheless the result was an impressive colourful snapshot of Britain in the 1920s.

To show off his colour photography to its best advantage, Friese-Greene mostly filmed rural scenes, the bucolic imagery of which suited his additive process, but there were occasional forays into industrial areas and one of these was in the Potteries and internal evidence suggests that the visit took place in 1926. After a brief panoramic view of the district from some high vantage point, Friese-Greene then visited the Wedgwood factory at Etruria. Here he found to his delight that he was able to film indoors quite easily due to the large expanse of windows in the workshops. He filmed a thrower at work and paintresses putting finishing touches to the wares. This was followed by a perhaps overlong display of Wedgwood wares from vibrant lustres to the more subdued colours of the famous Portland vase.

Suffice to say, though ingenious, Friese-Greene's technique never took off, losing out to the more versatile Technicolor. As a result, his film went into storage and remained unseen for 80 years until it was restored and aired in 2006 in a BBC documentary entitled The Lost World of Friese-Greene.