On 11 June 1956, 46 year old Arnold Machin and his 34 year old wife Pat of number 15 The Villas, Stoke, took a stand against the encroachment of post-war brutalist architecture and what they saw as the insidious spread of ‘subtopia’ near their home. When they heard that morning that a gang of workmen were coming later that day to remove an old Victorian lamppost from the centre of their estate and replace it with a modern streamlined concrete electric lamppost, they were appalled that such a fine bit of street furniture was being usurped simply in the name of progress. So, the Machin’s decided to make a stand and promptly sat themselves in front of the lamp for the next six hours. It was a hot day, so they hunkered down under an umbrella and tellingly sat reading The Seven Lamps of Architecture by John Ruskin, (an essay that outlined the principal demands of good architecture) and waited to see what transpired.
Arnold Machin was no mean intellect when it came to the subject of form and beauty. Born in 1911 at Oak Hill, he had begun his working life as a china painter at Mintons, but moved on to study sculpture at the Art School in Stoke, followed by a stint at Derby Art School and then the Royal Academy in London. He was later retained as a designer for Wedgwood and worked a teacher at the Burslem School of Art and in the same year that he made his stand over the lamppost, he was elected as a member of the Royal Academy and a Fellow of the Royal Society of British Sculptors. And as his record showed, like many a seemingly straight-laced academic, he had a strong rebellious streak and was prepared to stand up for his beliefs come what may. Sixteen years earlier Arnold Machin had done just that and served time in prison during World War Two for being a conscientious objector. Now, when the workmen turned up he stuck to his principles once more, saying: " I forbid you, as a token protest on my part, to remove this ornamental gas-lamp centrepiece."
Faced by the prickly couple and not sure what to do, the workmen politely withdrew and put in a call to the city surveyor, Mr D. F. Brewster who soon arrived on scene. In response to the official, Mr Machin merely turned to Chapter IV "The Lamp of Beauty." of Ruskin’s work and carried on reading. When shortly after this a police inspector and a sergeant also appeared, seeing what was afoot Machin put down his book, threw his arms around the lamppost and his wife slipped a chain around his wrists and padlocked him in place. Mr Machin then proclaimed to the police: "This is my protest against the destruction of all the beautiful things which is going on in this country."
The officials paused to have a quick conference then offered Mr Machin a compromise, saying that he could have the lamppost to have in his garden. He was satisfied with the suggestion, so Pat unlocked him. A crane arrived a short time later, pulled the lamp out of the ground, carried it 40 yards to the Machins’ house and dropped it neatly outside their front gate. Undaunted by the large post with a sizeable block of concrete at the bottom, the Machin’s said they were going to mount a commemorative plaque on it, find somewhere to put it in their garden and surround it with flowers.
Reference: Daily Mail, 12 July 1956.